ZOMBIE FILMS TO WATCH BEFORE YOU DIE #5: THE REMAKE OF "DAWN OF THE DEAD"!

(Fair warning, this review might have a spoiler or two!)

"DAWN OF THE DEAD" (2004)

TAGLINE: See the original's.

ENTIRE STORY IN AS FEW WORDS AS POSSIBLE:

Same as the original, but with less subtext and more action.

OH, GOODY. ANOTHER REMAKE?

Yeah, I know. But in a welcome example of bucking the trend of mediocre remakes, director Zack Snyder's '04 "Dawn of the Dead" is pretty damn good. It takes the basic premise of the original, but eschews any kind of social commentary in favor of giving horror fans a straightforward thrill ride. Gone is any angst, just a fatalistic kill-or-get-eaten attitude appropriate for the apocalyptic setting.

SO IT *IS* GOOD?

I know it's strange to say for a remake, but again, yes. It actually even tries to reinvent zombies some for more modern audiences who might suffer from ADD. The most glaring difference between George A Romero's zombies and the creatures of this remake is speed. These are undead creatures, not the postmodern Infected "28 Days Later" introduced us to, but they're no longer slow and shuffling...the Snyder brand of zombie is fast, furious and relentless. Speed is also increased for the story's pacing, as opposed to the thoughtful and methodical progress of the original.

It's almost unaminous among those who see the remake that the pre-credits opening is one of the best parts of the new "Dawn". We're given a ringside seat to the day the undead began to take over the world, as seen from the perspective of a young nurse (Sarah Polley) trying to find safety in the midst of total chaos. The perspective widens when she meets other living survivors (among them Ving Rhames, Jake Weber and Mekhi Phifer), and their need for sanctuary makes them drift to a big shopping mall. As they do their best to shelter themselves from the zombie hordes, they know this adopted refuge can't last...in many ways, the mall threatens to become as much a prison as a shelter. But do they dare make a great escape? And even if they do, will they find a truly 'safe' place, considering the world is coming to an end?

OKAY, BUT WAS THERE PLENTY OF BLOOD AND GORE?

To be a worthy remake of the original "Dawn", it would have been enormously stupid to NOT bring the blood and guts. Thankfully, Snyder and those responsible for the makeup effects more than accomodate the bloodthirsty! We're also given some moments that are disturbing in their own, never-seen-before light. Chief among them, in two words: zombie baby. The very concept should have been so nasty as to be unthinkable, but the new "Dawn" does indeed go there. Even with plenty of setup, watching an unfortunate pregnant survivor go through her stages of infection to die and then become a snarling zombie, and to see her yet-to-be-born baby kick and shift in her belly ominously...ick! :P Outside of that, there's blood and dismemberment and more galore...see the Unrated version on DVD to get all the gore you could possibly want!

BOTTOM LINE, DID ANYBODY GET OUT ALIVE?

A mere handful of survivors get through the zombie hordes...however...!

THE MORAL OF THIS STORY:

Malls are nice places to visit, but you wouldn't want to live in one during a zombie apocalypse. Living humans are reeeeeally strange creatures when we make our own fun. Don't discount the jerk among those you know, he might just sacrifice himself to save your booty one day.

ZOMBIE FILMS TO WATCH BEFORE YOU DIE #4: "28 DAYS LATER"!

"28 DAYS LATER" (2002)

TAGLINE: "The days are numbered."

ENTIRE STORY IN AS FEW WORDS AS POSSIBLE:
A guy wakes up to a world where a new kind of zombie is looking for living meat.

THIS IS THE ONE THAT REWROTE THE RULES, THEN?
Without a doubt. Danny Boyle wrote and directed a parable about the dangers of viral outbreak, a post-apocalyptic film in the vein of "The Omega Man" (which was later remade into "I Am Legend"), and referenced George Romero's "Dead" films in many ways. However, he sought to do so by giving us zombies that for the first time...well, WEREN'T zombies! The creatures in this film might look and act like zombies in the classic primal sense that they're highly antisocial, animalistic, and hunt normal humans with a predatory hunger, but that's where any similarity to the modern zombie as imagined by Romero ends. Not only that, these bastards are fast...fast as in the pee-yo-pants kind of fast. They aren't even undead, which means a headshot isn't necessarily mandatory. The modern zombies created and established by the "Dead" films officially began to give way in "28 Days later" to the postmodern zombie, or to truly distinguish them, the Infected.

What is responsible specifically is the Rage Virus...it's literally rage distilled into its purest form by medical experiments upon chimpanzees. In a classic case of paving the road to Hell with good intentions, a group of animal rights activists break in and set to freeing the captive test chimps. Things go very, VERY bad as the activists are infected and nearly instantly become psychotic and savage with rage as the chimps break out. 28 days later, a bicycle courier named Jim (Cillian Murphy) wakes up from a coma in his locked hospital room to a world different and deadlier from the one he remembered. His journey is one of discovery and survival as he puts together what happened and tries to figure out where he and other survivors might find a place of refuge from animalistic psychopaths.

SO IS IT GOOD?
It's good in most every way you can imagine for being the first postmodern zombie movie. Danny Boyle shot the film entirely with digital cameras -- often handheld -- to give "28 Days Later" a documentary-style, you-are-there feel. Taking that route also helped in the daunting task of creating the illusion of a decimated, deserted London. No trick photography or computer effects were used. Thanks to the fast work that digital cameras are capable of and some well-timed cooperation on the part of city and local authorities, each shot was completed fast enough so the film could be made without causing any undue havoc to traffic or anything else. The result is a portrayal of a major world city rendered dead, which is to say the least amazing.

But as much as the atmosphere and the fast pacing of the story helps contribute to making this film excellent, it's driven first and foremost by the characters who we can't help but connect with. Cillian Murphy as Jim is a pitch-perfect everyman we can all relate to as he progresses on his reluctant hero's journey, but counterpoint to him is Naomie Harris, who is truly amazing as Selena, a cool-headed survivor whose heart seems even colder (but it only seems that way!) as she escorts Jim through the wastelands. The moment when she hacks up a particularly luckless fellow survivor after he got infected blood into his cut is a stunner! Brendan Gleeson, Megan Burns, and Christopher Eccleston as the super-creepy Major West also deserve the highest praise.

OKAY, BUT WAS THERE PLENTY OF BLOOD AND GORE?
Most of the horror comes from seeing the virtually lifeless devastation in the wake of the Rage Virus, but it's nearly mandatory for any horror film with zombies (live or dead!) to be bloody, and audiences won't be disappointed. There's no dismemberments outside of Selena's hacking a friend to pieces (mostly off camera, blast it!), but things get very ugly at times. More than once Infected tend to vomit up gouts of tainted blood...in one case it goes into a soon-to-be-zombie's face. Ick!

BOTTOM LINE, DID ANYONE GET OUT ALIVE?
No spoilers here, but it depends on which ending you like the most! ;)

THE MORAL OF THIS STORY:
Surviving to live another day is not as good as it gets. Always, ALWAYS be careful when looking up. When somebody keeps a snarling, blood-soaked Infected on a chain leash in their backyard like a dog, chances are good that somebody is a little off! Finally, when in a zombie apocalypse, do what your mother told you when going out on a cold day: dress in layers!

ZOMBIE FILMS TO WATCH BEFORE YOU DIE #3: "THE RETURN OF THE LIVING DEAD"!

I hope whoever reads this had a truly happy Thanksgiving! :) Now, on with our next installment of ZOMBIE FILMS TO WATCH BEFORE YOU DIE!



"THE RETURN OF THE LIVING DEAD" (1985)


TAGLINE: "They're back from the grave and ready to party!"


ENTIRE STORY IN AS FEW WORDS AS POSSIBLE:
Uh, I can't come up with anything that tops that tagline! :P


COOL, GEORGE ROMERO MADE ANOTHER ZOMBIE FLICK?
Er, actually, Romero made "Day of the Dead" in 1985, not this film! There was some understandable confusion about this movie and its ties to Romero's zombie films until folks knew the whole score. The original story and concept for "Return" came from John Russo, who co-wrote "Night of the Living Dead" with Romero. Russo retained the rights to any films with the words 'Living Dead', and sought to make "Return of the Living Dead" into a movie. After some negotiations, the late Dan O'Bannon -- he also co-wrote "Alien", "Heavy Metal" and "Total Recall" -- rewrote and directed the film to have a very different tone from Romero's works. How different? Think a horror movie with the undead infused with liberal amounts of comedy!


With a faux advisory that includes "The events portrayed in this film are all true.", the story opens in a medical supply company, where a long-time worker is schooling a knucklehead new hire. It's a place where all manner of medical equipment and supplies, including cadavers, are sold...it's definitely the kind of environment where employees need to make their own fun. The older guy runs the newbie through the basics, but then starts spinning a strange yarn: the film "Night of the Living Dead" was based on true incidents...and he should know, since they're keeping the once-reanimated dead in the basement! One thing leads to another, and we quickly discover that idiocy knows no age when they accidentally prompt a leak of mysterious, toxic gas from one of the containers holding the former zombies. And, unfortunately, the place isn't far away from a cemetary...


More fresh meat is added to the mix when the young knucklehead's girl and a gaggle of colorful, punk-infused buddies (hey, the film was made in 1985) go to see him and par-tay! And where do these tearaway kids decide to do it? In the nearby cemetary...and the situation quickly descends into a chaotic party of the damned as newly-awakened zombies start hunting for them. And anybody else who still has a pulse!


SO IS IT GOOD?
This flick will catch you off your guard with how good it is, zombie-lovers. If you have seen it, then you need no explanation. For those of you who do, think of ways to cause a laugh -- not just a nervous giggle -- when horrorshow bloodshed is going on. It's not easy, with the only previous successful example of horror-comedy being Joe Dante's 1984 classic "Gremlins". Dan O'Bannon succeeds too, and in ways that I guarantee you won't expect. Even the conventions that Romero himself originated are turned on their ear!


Case in point: when the gas escapes and brings a dead body in cold storage to life, the knuckleheads responsible call the owner of the company, Burt (Clu Gulager), to fix things. A zombie is a big thing to fix, and they figure they can just destroy its brain Romero-style, and that's that. WRONGO! In a morbid comedy of errors, the zombie nearly gets away, then it WON'T die after it's given a good sharp pickaxe to the skull! And then the pieces won't die after Burt and the knuckleheads cut the body up as everybody's on the verge of pure panic...you get the idea! :P


Special mention must be made that this film isn't made for kids, unlike "Gremlins". Exhibit A being the character of Trash, immortalized by Linnea Quigley, who made her name as a scream queen in "Return". For most of the time she's in the movie she's got her clothes off, and even does an erotic dance in the cemetary. And she still has her clothes off after she's transformed into a zombie princess with a taste for brains!


OKAY, BUT WAS THERE PLENTY OF BLOOD AND GORE?
Uh, I believe I said this film isn't for kids. ;) I guess telling you about a zombie getting a pickaxe in his noggin didn't send the message. Rest assured, there's that and more gory stuff besides.


BOTTOM LINE, DID ANYONE GET OUT ALIVE?
Well, not to spoil things, but a low-yield nuclear blast is involved...!


THE MORAL OF THIS STORY:
The road to Hell is paved with good intentions...and by idiots. Nude zombie women give new meaning to the expression 'dead-sexy'. Finally, true love just can't compare to the sweet, sweet taste of brains!

ZOMBIE FILMS TO WATCH BEFORE YOU DIE #2: "DAWN OF THE DEAD" (1978)!

"DAWN OF THE DEAD" (1978)

TAGLINE: One of the best..."When there is no more room in Hell, the dead will walk the Earth."

ENTIRE STORY IN AS FEW WORDS AS POSSIBLE:
The living turn a shopping mall into Heaven, but naughty living and zombies give them Hell!

THIS IS 'THE ONE', HUH?
And for many good reasons...fans the world over call this THE zombie film against which all others must be measured. George Romero followed up "Night of the Living Dead" with a sequel that was the horrorshow equivalent of knocking it out of the park with the bases loaded. Jaw-droppingly ambitious in spite of its budget at the time, "Dawn of the Dead" serves as a cautionary tale of how both zombies and living-kind tend of make American society a mess.

IS IT GOOD OR BAD?
Uh, hello? Don't just take every other zombiephile's word for it, take MY word that this movie deserves to be called classic. It's a rare thing to see a horror film not only give the gore-starved their buckets of blood, but also some real thoughtful commentary on the way things are to chew on.

The film opens sometime after the events of "Night of the Living Dead", and America is finally catching up to the fact that the undead are back and hungry. The only order of the day is disorder: people are leaving a television station like passengers jumping off a sinking ship as a harried government official tries to tell the skeptical host of a news program and his audience about the zombie threat. One of those working in the studio, Francine (Gaylen Ross), doesn't need much convincing before the arrival of her boyfriend, Stephen (David Emge), who offers to take them both out of the city by a stolen helicopter. At the same time, the police launch a raid of a housing project to destroy zombies being kept there by their loved ones. The situation goes bad even before zombies are given a chance to attack some cops...emphasizing that zombies are pretty stupid to go after prey carrying guns. Two of the SWAT members, Peter and Roger (Ken Foree and Scott H. Reiniger), decide to get out while they haven't been bitten. Roger, it turns out, knows a buddy who knows how to fly a helicopter...

One thing leads to another, and the four come together to fly to ANYWHERE that doesn't have zombies running rapshod over everything. At one point, they fly over a party of hundreds of rednecks backed by the military as they set out to do some zombie-huntin in a moment that watchers of "Night of the Living Dead" will appreciate. You might be a redneck if you carry a can of beer in one hand and a big bore rifle in the other..."Zombies are good shootin, yessir!" :D (I might be a redneck saying this, but I'd join one of those anti-undead posses!) As the copter's gas starts to run low, the four come across a shopping mall, and none of them sound like they've even seen one before. (They were relatively new on the landscape at the time, by the way!) They touch down, take one look at the bounty that the mall offers, and decide to make the place into their haven from an increasingly apocalyptic world. They seal off the mall and manage to dispose of every undead inside, but not before losing one of their own. They then begin to enjoy an existence where they make use of any and every resource and piece of merchandise the mall's many stores have to offer to create a new life for themselves, but realize almost too late how empty and, well, lifeless that life is. It's Francine more than the others who understands that latching on to the mall as a home and all of the commerical possessions it has to offer would make them no better than the zombies that doggedly want to swarm upon the mall just because it was important to their consumer-obsessed previous lives. But just as hope springs, a small army of living raiders storm the mall...they let in the zombies at the same time, and all you-know-what breaks loose...

OKAY, BUT WAS THERE PLENTY OF BLOOD AND GORE?
Hell, yes! This film was legendary for its gore, and those under 18 at the time of its release were expressly forbidden from watching it. (Like that honestly would have stopped any minors!) Tom Savini proved to be equal to the monumental task, yet Romero wished that the makeup and effects were tailored to give "Dawn of the Dead" a semi-comic book style. Zombies often had a too-blue pallor to their skin, and blood when spilled was distinctly bright and not necessarily realistic. It still didn't ease the movie's adults-only status, or how gruesome things got in the film. Bites are ripped from flesh, limbs are literally pulled off, one poor bandit gets piled on by zombies and has his guts ripped out as he's screaming...and in a jaw-dropping moment, a crazed cop blows someone's head apart! By the way, there has been some confusion about what version out there is Romero's definitive vision for the film, since there's a few edits of it out there. Rest assured that the version known as the U.S. Theatrical Cut is the one he wanted everyone to see. There you go!

BOTTOM LINE, DID ANYBODY GET OUT ALIVE?
Only two, and only barely...see the movie to know more!

THE MORAL OF THIS STORY:
Defining yourself by what you can buy and consume means losing touch with the things that really matter, even life as we know it, along with all the good and bad that comes with life. Or as Tyler Durden said in "Fight Club", you are not your fucking khakis. Plus, if zombies weren't bad enough, there's always living assholes to worry about.

ZOMBIE FILMS TO WATCH BEFORE YOU DIE #1: "NIGHT OF THE LIVING DEAD"!

I know. What can be said? Life interrupts again and again. :/ In this case, though, Facebook is also having trouble with groups for some reason. I wanted to create a group devoted to those who like zombies as much as I do, but that won't happen right away. I'm not claiming to be an 'authority', just a fan! Still, I can do something close by listing here the top seven modern zombie (aka Romero Zombie) films ever made and my thoughts on them. I'll be paying homage to Ruthless Reviews by using the template they commonly work with in movie reviews. I'm not being paid for this and I'm giving Ruthless Reviews the proper respect, so I'm not ripping them off. Don't dare claim otherwise!

My first of the ZOMBIE FILMS TO WATCH BEFORE YOU DIE! is as follows.... :)


NIGHT OF THE LIVING DEAD (1968)


TAGLINE: "They won't stay dead!"

ENTIRE STORY IN AS FEW WORDS AS POSSIBLE:
Flesh-hungry undead rise as the living have a problem just getting along.

SO THIS WAS THE FIRST ZOMBIE MOVIE?
Insofar as the first film to feature the undead as a nightmare threat out to consume anyone who still had a pulse, yep! There were movies with zombies before, but the old-fashioned hoodoo-incurred kind dating back to Bela Lugosi's "White Zombie" in 1932. So call it strictly speaking, the first modern zombie movie, with rules and hallmarks of the subgenre established accordingly from launch by the great George A. Romero. The undead in such films have also been called in tribute to their originator Romero Zombies.

IS IT GOOD OR BAD?
Sometimes gold can be mined from low-budget filmmaking, and "Night of the Living Dead" is golden. The entire theme of the story is how a group of very different people react to a nightmare situation, specifically getting stuck in a house surrounded by flesh-hungry undead...and its got a haunting realism to it all, in spite of the extraordinary circumstances. The film starts out in a graveyard where a brother and sister (the brother looks like Buddy Holly with driving gloves) go to visit their dearly departed dad. They're typical siblings, the brother is giving his sister shit, and she's telling him to grow up. Then a tall guy shows up with a strange shuffle-step to his walk...he's an odd duck with a vacant stare, and then he attacks! The brother fights Tall and Creepy, cracks his head on a tombstone, and dies. Maybe. We don't know for sure until the sister finds her courage to try to help her brother somehow...just kidding, she leaves her bro to lie on the ground as she runs off! This girl, Barbra, may very well be The Most Useless Horror Film Character Ever. All she does after she finds refuge in a seemingly empty house with a stranger named Ben (Duane Jones) is look catatonic when she doesn't launch into hysterics over every little friggin thing.

Ben, even though we don't get to know much about him, proves to be more practical and thoughtful than she is by far. We can tell his heroism and utility are tempered by his own nervousness about the situation, especially when he hears over a radio -- as he methodically tries to seal every window and door from the increasing numbers of undead outside -- that mass murder and cannibalism is happening everywhere, as if an epidemic is spreading. He scores bonus points finding a rifle and ammo, but then finds out there are more folks hiding in the cellar! Two of them are a mother and father worried for their daughter, who got bit by one of the undead and has gotten sick. All together now: UH-oh!

The characters eventually discover from the authorities on TV that the recently deceased have somehow come back to life to prey on the living. No one knows how, although one brainiac thinks radiation from a destroyed space probe had something to do with it. But no one knows for sure why this is happening, and the living holed up in the house have to fend for themselves until whenever help arrives. That's where things go from bad to worse, because in order to survive they have to work together, and that doesn't work out. When the World Trade Center was taken down on 9-11, all of New York City and the entire country came together to help one another through the tragedy. "Night of the Living Dead" argues that when disaster happens, humans may either be too dumb, selfish, or fearful to work together for their common good. There is real-life precendent for that viewpoint, unfortunately, which helps make this film stand any test of time.

OKAY, BUT WAS THERE PLENTY OF BLOOD AND GORE?
More than enough blood was spilled for Romero's landmark first "Dead" film, my friends, but you'll have to get past the fact it's in black and white. Also of note is that zombies in this movie look pretty much like everyone else! Outside of being messy eaters, they don't have decomp or anything to mar their appearances. Blame the low budget. However, being recently dead, it looked like some were being prepared for burial in one kind of formal dress and another, or got out a morgue in their skivvies or less; we see at least one butt-nekkid undead shuffling around! Since this is the first modern/Romero Zombie movie, it's the first time living folks had to learn one must shoot the undead in the head or at least take enough swings with a blunt weapon to their skulls to put them down for the count. Although a humble movie, it'll still catch the uninitiated off guard with some grisly moments. At one point, two of the living get to a pickup truck to escape, but it goes bad...so bad the pickup truck explodes and burns the couple to oblivion! But as bad as that was, the undead converge on the cooling wreck and start snacking on the medium-rare remains; the camera lingers on their eating the cooked flesh of a couple of characters who were alive not long before, which is pretty disturbing. But that's nowhere near as disturbing as when a little girl among the group dies from her infected bite, turns into a zombie, and kills her mother in a slow, brutal stabbing. The fact the zombie-girl used a weapon to kill her mother should be noted, as no zombie before or since ever showed that much intelligence. Afterward, the fact zombies were as stupid as they were hungry would become a benchmark to the sub-genre.

BOTTOM LINE, DID ANYBODY GET OUT ALIVE?
In this inaugural case, only the movie-goer is left to remember the tale.

THE MORAL OF THIS STORY:
Definitely stuff for those who see the glass as half-empty...the living will always have a problem relating to or even trusting one another, especially when things go to shit. If you see a loved one shuffling with a pack of zombies, don't give them a hug, RUN! Beware of gun-toting rednecks. And last but FAR from least: shoot em in the head!

Is there such a thing as a 'better' zombie?

Those who have a love for certain things like to obsess about the little details OF that thing at times. I must admit I'm one of them. Some things I enjoy are horror films and novels, and one of the most potent sub-genres of horror (especially in films) has been stories with zombies. You know. People back from the dead with attitudes that make Oscar the Grouch look like Emily Post, decaying every second after they've climbed through the earth from their graves, and with that very special jones for eating the flesh of the living. "When there is no more room in Hell, the dead will walk the Earth." Zombies aren't just the ultimate agents of death, looking to take as many lives as possible and worse, infect them with the never-quite-explained virus to make the living join the undead ranks...such monsters are as much a metaphor for Death itself as the unstoppable serial killers of cinematic legend like Jason Voorhees and Michael Meyers.

I've loved zombie yarns since Roger Corman's classic "Night of the Living Dead" (1968), even though I'd fire a blast of double-ought from a shotgun into the face of any undead that might appear for real and have me as a midnight snack. That would never happen in reality, naturally. I hope! Although "Night of the Living Dead" set the standard rules all zombie films followed since, I'll be the first to admit that some of those rules required some explanation. The undead only go after living or just-killed flesh? How long can the bastards shamble around, anyway? And why does destroying their brains -- preferably from long-range with a bullet -- put them down like a stake in a vampire's heart? Their brain cells have to be dead already! I did put a little logic to zombie lore in my short story, "Mother's Day". (Which you'll also find here in my blog. Shameless self-promotion done!) I placed a more definitive cause to the effect of a possible undead plague, and exactly why such creatures like living human flesh so much. Hey, would YOU wanna take a bite out of rotting flesh? Zombies sure wouldn't, and there you are! But unless there's a supernatural element to the story that keeps dead flesh well-preserved, logic can only go so far in stories about the undead. For one thing, if there were a zombie apocalypse, it would be pretty damn short considering that necrosis is a fact of both life and death. Given enough time, a zombie would dessicate into a heap of goo and bones...if the living could hold out in shelters and defend themselves long enough, the problem would literally take care of itself.

Some have done their best to redefine zombies -- or, well, make them scarier as time has passed horror stories, though, especially in films. It started small with 1985's "Return of the Living Dead" in which some of the undead -- those recently taken from life only to, er, 'wake up' to a more animalistic existence and prey on the living -- as not quite being as slow and decrepid as a rotting zombie that just broke from the graveyard dirt. Yep, zombies as fast as a human, and that is scary as hell. Zack Snyder took that same tactic portraying the newly-zombified in his remake of the classic "Dawn of the Dead" in 2004...in fact, as time passed in the narrative, the undead looked worse and got slower as decay set in and their muscles, joints and more fell to rot along with the rest of their bodies. But it was filmmaker Danny Boyle who honestly DID redefine what it meant to be an animalistic flesh-eater.

In "28 Days Later", Boyle took prevailing concerns of a future pandemic and combined it with the tropes of zombie films. The result? The 'undead' of his horror epic weren't dead at all: they were normal (is there such a thing?) everyday people who got infected by a bloodborne virus of pure, total rage. Think about that, and what happens to a normal person who gets infected by a bite. One moment you're okay, and the next you feel like your blood is literally burning and everything you are, your very identity, what makes you you is eradicated and replaced by a rage that makes you as pleasant as a tiger infected with rabies. All that is left in the mind is pure animal drive...the very worst parts of that drive, in fact. It's the demolition of society, morality, and civilization itself by the ultimate of the uncivilized. Those aren't zombies that hunt in packs at night looking for the living to feast on...they're wolves with zero conscience, and those who have still have logic and soul in them can feel sorry for the infected, but they'd better stay the HELL behind barricaded doors and armed for bear or one of those packs will find and batter, rend, and yes, even eat them alive. "28 Days Later" not only provided much-needed food for thought about viruses but rewrote the rules for zombie films even though again, technically, it ain't a film about the undead. It can be called a zombie film, though, since those subjected to the Rage Virus are no different from zombies...except they're alive and their primal drive makes them what I like to call fast-movers.

As a gamer, I've seen both kinds of zombies in video games. In games from "Resident Evil" to "Dead Rising", the undead are indeed that, brought back to life by genetic engineering or other mysterious ways. Other games have followed the example of Danny Boyle, like "Left 4 Dead" and its sequel, where the survivors must fight off the animalistically infected by tooth, claw, and shotgun. And pills! :D (Those who know and love "Left 4 Dead" will understand that last bit of humor!)

But is there such a thing as a 'better' zombie as time continues to pass? At the heart of the religion and the mythology most know of voodoo and zombies in real life, they are those brought back from the dead to act as servants of the living. In our popular culture, from books to movies to games, the undead serve only their own primal, savage hunger at the expense of those still alive. There has even been a sea change to what actually makes a zombie, all to make that kind of monster more frightening, as the more supernatural and shambling flesh-eaters seem to be giving way to a trend to create the fast-moving infected of a terrible plague that could burn the civilized world down. Which kind do I prefer? Whether they make me think or not, as long as the zombies are scary, fans like me won't get enough of them and the heroes who try to keep themselves from becoming snacks to monstrous appetites!