It was something of a strange year that's passed, huh? A lot has changed and just as much stayed the same (for better or worse)...we have a new President who had an up and down first year, but the prognosis for the rest of his term is still hopeful. Just as long as he doesn't try to pour money the government can't exactly spend on every program, and doesn't flip on previous positions too often, like politicians are wont to do...remember when he said he'd get our soldiers home, but instead deployed even more overseas? I still dunno exactly why he was Nobel-worthy...
The economy still sucks...I know that better than most, but again things are hopeful.
We lost a lot, too...especially people we didn't expect to lose so soon. Brittany Murphy was our most recent loss. People are still feeling the absence of Michael Jackson, some more profoundly than others.
I could go on and on in a testament about the past year, but that's okay. Many others are doing that better than I ever could. All I can say is I hope 2010 is a truly better year for everyone...to Yen, Geri, Patricia, and many more friends I know online and this is even to those who I don't know:
Happy New Year! :)
And yes, I will make more posts more often...one way or the other, I'll get more online time!
Thursday, December 31, 2009
Thursday, December 10, 2009
The once and future King.
Way back in the day, I was a pre-grade school kid driven with the rest of my family to the drive in theatre in my area this one night. Yes, one of those ancient and wonderful places where folks could park and watch a movie on a big-ass screen from the comfort of their car, while running back and forth to: 1) fetch snacks and stuff high in sugar and grease -- you know, stuff that tastes great -- or 2) go to the toilet or 3) both. You might have heard of them. You hardly see drive ins anymore these days because of things like 'progress' and 'home entertainment'.
Anyway, my most vivid memory from this night was that we were there to see a monster movie. I was a preschooler at the time. I wasn't aware enough to keep track of stuff like plot and character motivation in movies, or even the concept of a good story. I couldn't retent memory very well at the time either, like most kids. But I did know that it was a monster movie, and the word 'monster' lit up my interest in a way only a few other things can to a kid.
The movie in question was "Godzilla Vs. Megalon". It was part of a double-bill that night at the drive in; the second film was "The Giant Spider Invasion", and at least that stuck in my head, too. I remember feeling disappointed that dad and mom decided to leave the drive in just after the second film started. I wanted to stay to see if Godzilla would take on the giant spiders. I couldn't keep track of the plot of the first movie...I didn't give a shit about character motivation and things like that...I thought about how Megalon looked dumb instead of scary, and I forgot Gigan and Jet Jaguar.
What kept my attention directed to the film was GODZILLA...and like all kids who encounter him, I wanted to see him again and again. If you've seen Godzilla as a child, you know how amazing it was to see a green (originally gray), fire-breathing dinosaur taller than most buildings lay the smack down on the asses of less worthy monsters. As I'd come to realize in the time I had as a child before I grew up, the big guy wasn't just a monster, he was nothing more or less than the no-shit KING of the Monsters! For kids like me in America and across the world, Godzilla was as appealing as Santa Claus.
Godzilla took hold of me, and he hasn't let go since.
Growing up, I watched the King of the Monsters fight foes like Hedorah and Ghidrah. I watched him have a fight with an oversized lobster and lead a huge all-out brawl on Monster Island, and he teamed up with the likes of Rodan, Mothra and King Caesar. I saw the dumb Saturday morning toons with a Godzilla that wasn't nearly as cool as the 'real' one because not only did he look like crap and had that silly (yes, silly even for a kid) nephew Godzooky, he didn't have that roar. As I matured, I understood things I couldn't have before in that bittersweet way we all do as we mature. I became more aware of Godzilla's history and how he was the figurative creative fallout of the two atomic bombs dropped on Japan, which ended the Second World War. Godzilla was both the living embodiment of atomic destruction and nature's mutated fury woken up to punish humanity for unleashing the nuclear genie. I saw the very first black and white film in which Godzilla was anything but kid-friendly and truly horrifying as Raymond Burr could only watch and offer his testimony to the firestorm of destruction the monster wrought upon Japan. However. I won't even go into the bullshit that was the American iguana version of the King made by the guys who made "Independence Day".
I finally, after all these years (sigh, I'm old!), got the 1954/56 original on DVD today. :) I watched the version I remember best first, the American edit with Raymond Burr giving an American face (or better to say white face, and this isn't a trashing of him...it's how things were in allegedly 'liberal' Hollywood back then) to the earth-shaking proceedings. Just like back in the day, it was freaking awesome. Godzilla was a scary monster in black and white, capable of terrible damage with even a simple flick of his tail. The undercurrent of his being an allegory to nuclear destruction was downplayed in favor of the spectacle, and any sympathy for the monster being awoken and mutated by H-bomb tests is given brief lip service and emphasis was purely on saving Japan and maybe the world. The English dubbing of the Japanese principal actors is scattershot, taking place now and then only to interact with Burr's character or translate a truly important scene. Yes, even with the mix of good and bad, it was great! I can't wait to have the spare time to see the original Japanese version subtitled, and see it in the way Godzilla's creators wanted people to see it.
I'm not too surprised there's still a part of me who doesn't want to grow up, the same inner child who will never leave us all, and still (I can't think of a better emotion to describe it) loved Godzilla. It didn't matter whether he was a primal force of destruction neither good nor evil, a sympathetic victim, or a kid-friendly hero defending the world against much nastier beasts. I honestly thought the inner child left me for quite some time, but nope, the kid's always been there. Proof of that is my renewed interest in the King of the Monsters. Maybe it's just nostalgia...maybe it's just the fact that seeing Godzilla beat the motherlovin' crap out of other monsters to reassert his dominance will always be damned cool! It was curiosity more than anything else that made me pick up a collector's set of the King's last three movies not long ago. All three were reimaginings of previous installments in the series, bringing improved special effects to the table and yet Godzilla and other monsters are still pleasantly in rubber suits.
All three films are great, and for a lot of reasons...nostalgia is one of the chief ones, I'll admit. "Godzilla Against Mechagodzilla", for instance -- inspired by the classic "Godzilla Versus Mechagodzilla" -- was amazing in that it brought back the ORIGINAL King from 1954 and made him into a cybernetic Mechagodzilla to do battle with the Godzilla of the most recent generation! Try wrapping your imagination around that. Seriously. "Godzilla: Tokyo S.O.S." was much more solemn in tone, but was also in part a remake of a fan favorite, "Godzilla Versus Mothra". But 'over-the-top' doesn't even start to describe "Godzilla: Final Wars", the last film in the franchise (so far!) that was a runaway roller coaster of a remake of the original monster mash, "Destroy All Monsters". This was a film that was clearly made by Godzilla fans for the fans, taking every film and generation of the series and bringing it all together into a brouhaha that has to be seen to be appreciated...and yet strangely, it feels like there isn't enough focus on the King himself. I don't know. Maybe the kid in me was a little disappointed not to see more of Godzilla in "Final Wars".
Damn, some things really haven't changed! :D
Anyway, my most vivid memory from this night was that we were there to see a monster movie. I was a preschooler at the time. I wasn't aware enough to keep track of stuff like plot and character motivation in movies, or even the concept of a good story. I couldn't retent memory very well at the time either, like most kids. But I did know that it was a monster movie, and the word 'monster' lit up my interest in a way only a few other things can to a kid.
The movie in question was "Godzilla Vs. Megalon". It was part of a double-bill that night at the drive in; the second film was "The Giant Spider Invasion", and at least that stuck in my head, too. I remember feeling disappointed that dad and mom decided to leave the drive in just after the second film started. I wanted to stay to see if Godzilla would take on the giant spiders. I couldn't keep track of the plot of the first movie...I didn't give a shit about character motivation and things like that...I thought about how Megalon looked dumb instead of scary, and I forgot Gigan and Jet Jaguar.
What kept my attention directed to the film was GODZILLA...and like all kids who encounter him, I wanted to see him again and again. If you've seen Godzilla as a child, you know how amazing it was to see a green (originally gray), fire-breathing dinosaur taller than most buildings lay the smack down on the asses of less worthy monsters. As I'd come to realize in the time I had as a child before I grew up, the big guy wasn't just a monster, he was nothing more or less than the no-shit KING of the Monsters! For kids like me in America and across the world, Godzilla was as appealing as Santa Claus.
Godzilla took hold of me, and he hasn't let go since.
Growing up, I watched the King of the Monsters fight foes like Hedorah and Ghidrah. I watched him have a fight with an oversized lobster and lead a huge all-out brawl on Monster Island, and he teamed up with the likes of Rodan, Mothra and King Caesar. I saw the dumb Saturday morning toons with a Godzilla that wasn't nearly as cool as the 'real' one because not only did he look like crap and had that silly (yes, silly even for a kid) nephew Godzooky, he didn't have that roar. As I matured, I understood things I couldn't have before in that bittersweet way we all do as we mature. I became more aware of Godzilla's history and how he was the figurative creative fallout of the two atomic bombs dropped on Japan, which ended the Second World War. Godzilla was both the living embodiment of atomic destruction and nature's mutated fury woken up to punish humanity for unleashing the nuclear genie. I saw the very first black and white film in which Godzilla was anything but kid-friendly and truly horrifying as Raymond Burr could only watch and offer his testimony to the firestorm of destruction the monster wrought upon Japan. However. I won't even go into the bullshit that was the American iguana version of the King made by the guys who made "Independence Day".
I finally, after all these years (sigh, I'm old!), got the 1954/56 original on DVD today. :) I watched the version I remember best first, the American edit with Raymond Burr giving an American face (or better to say white face, and this isn't a trashing of him...it's how things were in allegedly 'liberal' Hollywood back then) to the earth-shaking proceedings. Just like back in the day, it was freaking awesome. Godzilla was a scary monster in black and white, capable of terrible damage with even a simple flick of his tail. The undercurrent of his being an allegory to nuclear destruction was downplayed in favor of the spectacle, and any sympathy for the monster being awoken and mutated by H-bomb tests is given brief lip service and emphasis was purely on saving Japan and maybe the world. The English dubbing of the Japanese principal actors is scattershot, taking place now and then only to interact with Burr's character or translate a truly important scene. Yes, even with the mix of good and bad, it was great! I can't wait to have the spare time to see the original Japanese version subtitled, and see it in the way Godzilla's creators wanted people to see it.
I'm not too surprised there's still a part of me who doesn't want to grow up, the same inner child who will never leave us all, and still (I can't think of a better emotion to describe it) loved Godzilla. It didn't matter whether he was a primal force of destruction neither good nor evil, a sympathetic victim, or a kid-friendly hero defending the world against much nastier beasts. I honestly thought the inner child left me for quite some time, but nope, the kid's always been there. Proof of that is my renewed interest in the King of the Monsters. Maybe it's just nostalgia...maybe it's just the fact that seeing Godzilla beat the motherlovin' crap out of other monsters to reassert his dominance will always be damned cool! It was curiosity more than anything else that made me pick up a collector's set of the King's last three movies not long ago. All three were reimaginings of previous installments in the series, bringing improved special effects to the table and yet Godzilla and other monsters are still pleasantly in rubber suits.
All three films are great, and for a lot of reasons...nostalgia is one of the chief ones, I'll admit. "Godzilla Against Mechagodzilla", for instance -- inspired by the classic "Godzilla Versus Mechagodzilla" -- was amazing in that it brought back the ORIGINAL King from 1954 and made him into a cybernetic Mechagodzilla to do battle with the Godzilla of the most recent generation! Try wrapping your imagination around that. Seriously. "Godzilla: Tokyo S.O.S." was much more solemn in tone, but was also in part a remake of a fan favorite, "Godzilla Versus Mothra". But 'over-the-top' doesn't even start to describe "Godzilla: Final Wars", the last film in the franchise (so far!) that was a runaway roller coaster of a remake of the original monster mash, "Destroy All Monsters". This was a film that was clearly made by Godzilla fans for the fans, taking every film and generation of the series and bringing it all together into a brouhaha that has to be seen to be appreciated...and yet strangely, it feels like there isn't enough focus on the King himself. I don't know. Maybe the kid in me was a little disappointed not to see more of Godzilla in "Final Wars".
Damn, some things really haven't changed! :D
Tuesday, December 1, 2009
Desperation in the land of make-believe.
I've got an axe to grind with Hollywood about a couple of things. One subject is something I've talked about here before, but I'm going to devote a good chunk of this post to the subject even though I might get unnecessarily frustrated and upset thinking about it too much. It's the dearth of creativity in the land of make-believe that has compelled filmmakers to churn out one damn remake after the next.
One of the most recent culprits -- yes, sadly, only ONE OF -- was the "Friday the 13th" reboot. I'm not here to rail on the flick harshly, except to say I should have known better to think a remake would be as good or better than the 1980 original. My curiosity as a fan of the franchise almost demanded I check it out, and I did. I wasn't too disappointed. The remake was, very simply, all right. It was competent. I hadn't seen anything truly different from the many slasher films I had seen before. There was nothing truly creative about it.
And that last sentence, boys and girls, is the problem.
If any creativity had been applied in this instance, there wouldn't have been a remake. We wouldn't even have seen the newest installment of "Friday the 13th". We would have seen something different...and note that I'm not saying something ORIGINAL. Creativity isn't the same as originality. Hell, there hasn't been a legitimately 'new' idea in storytelling for a very, very long time.
Creativity can go a long way. Ask George Lucas. Or better yet, don't. It would have been better to ask him back when he was honestly fucking creative. He didn't give us anything new, but he did make films that became lasting testaments to American culture. Films like "American Graffiti", "THX 1138" and, naturally, "Star Wars". They had an impact because he had a vision very few had -- borrowing from many sources, granted, but still a vision. "Star Wars" alone created a modern mythology and revitalized the Science Fiction genre.
And dammit, it could only go downhill from there.
Was there anything in the "Star Wars" prequels Lucas directed that had creativity? Was there the slightest amount of gravitas in any aspect of his filmmaking between 1999 and 2005, any part of the new trilogy that had even a FRACTION of the impact of what he accomplished in 1977? No. If it was just the case he hadn't directed a friggin' film for 22 years before "The Phantom Menace", that would be one thing. But he lost his creativity as well as his talent, it seems. There is a significant creative deficit in Hollywood on the whole, and remakes are only one symptom of the problem. (And they're a damn big one. Think about it. Did anyone want shit to come to theatres like "Starsky and Hutch" or "The Dukes of Hazzard"?)
Hollywood knows this, of course. They have to...they would be enormously stupid if they didn't, and you have to have some kind of intelligence to make money. But I'm beginning to wonder if they think we, their audience, are the stupid ones because they think we'll go to the theatre for one remake after another or something else that screams out loud, "WE ONLY GIVE A SHIT ABOUT MAKING MONEY, NOT ENTERTAINMENT!" And there's a remake of "A Nightmare on Elm Street" coming soon. That's damned scary.
The second thing I have to say is this: Hollywood, you're showing how greedy you are pushing the Blu-ray on us so damned hard. I could care less about what one study or another says about them being getting more and more popular. We're not in the best of times right now, economically speaking. Maybe you ought to limit yourselves to getting the word out about standard DVDs, which as far as I'm concerned are just as good. Maybe it has to do with the fact Hollywood will make more money from consumers with Blu-ray, and that's shameless with things so unsure. Maybe it's just me.
One of the most recent culprits -- yes, sadly, only ONE OF -- was the "Friday the 13th" reboot. I'm not here to rail on the flick harshly, except to say I should have known better to think a remake would be as good or better than the 1980 original. My curiosity as a fan of the franchise almost demanded I check it out, and I did. I wasn't too disappointed. The remake was, very simply, all right. It was competent. I hadn't seen anything truly different from the many slasher films I had seen before. There was nothing truly creative about it.
And that last sentence, boys and girls, is the problem.
If any creativity had been applied in this instance, there wouldn't have been a remake. We wouldn't even have seen the newest installment of "Friday the 13th". We would have seen something different...and note that I'm not saying something ORIGINAL. Creativity isn't the same as originality. Hell, there hasn't been a legitimately 'new' idea in storytelling for a very, very long time.
Creativity can go a long way. Ask George Lucas. Or better yet, don't. It would have been better to ask him back when he was honestly fucking creative. He didn't give us anything new, but he did make films that became lasting testaments to American culture. Films like "American Graffiti", "THX 1138" and, naturally, "Star Wars". They had an impact because he had a vision very few had -- borrowing from many sources, granted, but still a vision. "Star Wars" alone created a modern mythology and revitalized the Science Fiction genre.
And dammit, it could only go downhill from there.
Was there anything in the "Star Wars" prequels Lucas directed that had creativity? Was there the slightest amount of gravitas in any aspect of his filmmaking between 1999 and 2005, any part of the new trilogy that had even a FRACTION of the impact of what he accomplished in 1977? No. If it was just the case he hadn't directed a friggin' film for 22 years before "The Phantom Menace", that would be one thing. But he lost his creativity as well as his talent, it seems. There is a significant creative deficit in Hollywood on the whole, and remakes are only one symptom of the problem. (And they're a damn big one. Think about it. Did anyone want shit to come to theatres like "Starsky and Hutch" or "The Dukes of Hazzard"?)
Hollywood knows this, of course. They have to...they would be enormously stupid if they didn't, and you have to have some kind of intelligence to make money. But I'm beginning to wonder if they think we, their audience, are the stupid ones because they think we'll go to the theatre for one remake after another or something else that screams out loud, "WE ONLY GIVE A SHIT ABOUT MAKING MONEY, NOT ENTERTAINMENT!" And there's a remake of "A Nightmare on Elm Street" coming soon. That's damned scary.
The second thing I have to say is this: Hollywood, you're showing how greedy you are pushing the Blu-ray on us so damned hard. I could care less about what one study or another says about them being getting more and more popular. We're not in the best of times right now, economically speaking. Maybe you ought to limit yourselves to getting the word out about standard DVDs, which as far as I'm concerned are just as good. Maybe it has to do with the fact Hollywood will make more money from consumers with Blu-ray, and that's shameless with things so unsure. Maybe it's just me.
Wednesday, November 25, 2009
Happy Thanksgiving, everyone...yes, I'm still here!
I know it's been a while...things conspire against my Internet time. What can you do? :/
Anyway, it's just about the time to give thanks, and I wanted to give well wishes to everyone, especially dear friends like Geri and Yen. Happy Thanksgiving again, and I hope your holiday is a truly great one! :)
Speaking of those who should give thanks, I submit Will Ferrell. Much as I like the guy, and he can be truly funny at times, Forbes Magazine listed him as #1 of the top ten most overpaid actors in Hollywood. (Which means, he's very highly paid in spite of the fact his movies, especially recently, haven't made a profit.) Some would call that distinction of most overpaid harsh, while others would say that's like calling the sky blue. I'm somewhere in between. I don't have a high opinion of the creative powers of Hollywood...to be more blunt, there isn't a helluva lot of creativity in the movie capitol of the world these days. Will hasn't exactly added to the lack of creativity, but he hasn't brought a lot of creativity to his films, either. Showing my age, I'd call him the new millenium's take-it-or-leave-it talent, like Chevy Chase. (Will and Chevy don't just have Saturday Night Live in their histories, they're mostly plain vanilla when they don't show flashes of genuine brilliance...or is it better to say they've only been ALLOWED to show flashes of brilliance?)
Anyway, let me get to another actor on the Most Overpaid Top 10. No, I'm not about to talk about Tom Cruise. I mean Samuel L. Jackson, which might be a surprise to many of you. It wasn't to me...I'll explain in a moment.
Sam Jackson entered into the millenium as the modern King of Cool, thanks mainly to his performance as Jules 'Bad Motherfucker' Winnfield in Quentin Tarantino's "Pulp Fiction" (1994). I'll grant that was one helluva movie, and Sam earned all the praise he got. And yet he never won an Oscar for his performance. Go figure. But here's why his standing as King of Cool is threatened and he earned his place in the Most Overpaid list...he hasn't exactly set the world on fire since.
Think about it, and notice I'm not for a moment taking away a thing from Sam Jackson. Name me one movie after "Pulp Fiction" that has been as enduringly popular or a role he played that was as...well, cool. The "Star Wars" prequels? Fans of the original films, and I'm among them, think the prequels are total wastes of time outside of their ushering in the digital age of filmmaking. Sam's Mace Windu was one of the few saving graces of the trilogy from George 'I'm cashing in on the legacy of better movies!' Lucas, and holy shit, HE HAD A PURPLE LIGHTSABER! Only Sam Jackson could pack a PURPLE LIGHTSABER and remain cool. Still...he wasn't in any of the movies enough to redeem them. The "Shaft" flick from 2000? Even fans weren't exactly knocked out of their socks...I sure wasn't. "Snakes on a Plane"? The online meme it created was HUGE, but when the movie came out...it fizzled out, maybe from too much overexposure. Or it just wasn't as good as most hoped for, in spite of Sam, and word got out about it's lack of greatness fast. It's been the same for most of his films since..."Unbreakable", "XXX" and its sequel, "Coach Carter", the list goes on...he's been worthy enough, but such films have been deemed categorically unworthy as time passed.
A previous generation's King of Cool, Steve McQueen, earned his reputation with truly cool roles in great movies. So did Samuel L. Jackson for this generation...but where Steve passed away and therefore left the throne empty, the man currently taking his seat there has a different peril from death to threaten his reign. That peril is the lack of creativity in Hollywood, but like death, I don't know how Sam Jackson can fight that and keep his throne.
Anyway, it's just about the time to give thanks, and I wanted to give well wishes to everyone, especially dear friends like Geri and Yen. Happy Thanksgiving again, and I hope your holiday is a truly great one! :)
Speaking of those who should give thanks, I submit Will Ferrell. Much as I like the guy, and he can be truly funny at times, Forbes Magazine listed him as #1 of the top ten most overpaid actors in Hollywood. (Which means, he's very highly paid in spite of the fact his movies, especially recently, haven't made a profit.) Some would call that distinction of most overpaid harsh, while others would say that's like calling the sky blue. I'm somewhere in between. I don't have a high opinion of the creative powers of Hollywood...to be more blunt, there isn't a helluva lot of creativity in the movie capitol of the world these days. Will hasn't exactly added to the lack of creativity, but he hasn't brought a lot of creativity to his films, either. Showing my age, I'd call him the new millenium's take-it-or-leave-it talent, like Chevy Chase. (Will and Chevy don't just have Saturday Night Live in their histories, they're mostly plain vanilla when they don't show flashes of genuine brilliance...or is it better to say they've only been ALLOWED to show flashes of brilliance?)
Anyway, let me get to another actor on the Most Overpaid Top 10. No, I'm not about to talk about Tom Cruise. I mean Samuel L. Jackson, which might be a surprise to many of you. It wasn't to me...I'll explain in a moment.
Sam Jackson entered into the millenium as the modern King of Cool, thanks mainly to his performance as Jules 'Bad Motherfucker' Winnfield in Quentin Tarantino's "Pulp Fiction" (1994). I'll grant that was one helluva movie, and Sam earned all the praise he got. And yet he never won an Oscar for his performance. Go figure. But here's why his standing as King of Cool is threatened and he earned his place in the Most Overpaid list...he hasn't exactly set the world on fire since.
Think about it, and notice I'm not for a moment taking away a thing from Sam Jackson. Name me one movie after "Pulp Fiction" that has been as enduringly popular or a role he played that was as...well, cool. The "Star Wars" prequels? Fans of the original films, and I'm among them, think the prequels are total wastes of time outside of their ushering in the digital age of filmmaking. Sam's Mace Windu was one of the few saving graces of the trilogy from George 'I'm cashing in on the legacy of better movies!' Lucas, and holy shit, HE HAD A PURPLE LIGHTSABER! Only Sam Jackson could pack a PURPLE LIGHTSABER and remain cool. Still...he wasn't in any of the movies enough to redeem them. The "Shaft" flick from 2000? Even fans weren't exactly knocked out of their socks...I sure wasn't. "Snakes on a Plane"? The online meme it created was HUGE, but when the movie came out...it fizzled out, maybe from too much overexposure. Or it just wasn't as good as most hoped for, in spite of Sam, and word got out about it's lack of greatness fast. It's been the same for most of his films since..."Unbreakable", "XXX" and its sequel, "Coach Carter", the list goes on...he's been worthy enough, but such films have been deemed categorically unworthy as time passed.
A previous generation's King of Cool, Steve McQueen, earned his reputation with truly cool roles in great movies. So did Samuel L. Jackson for this generation...but where Steve passed away and therefore left the throne empty, the man currently taking his seat there has a different peril from death to threaten his reign. That peril is the lack of creativity in Hollywood, but like death, I don't know how Sam Jackson can fight that and keep his throne.
Saturday, October 31, 2009
Story time for Halloween!
To preface: I wrote this one a couple of years ago...the story was inspired by my visit to Creepyworld in Fenton, Mo., one of the best haunted attractions you'll find in America at this time of the year. The Horror Town in this story, therefore, is not meant to be based on Creepyworld or any other haunted attraction you can find. (That I know of!) And if there are any similarities between my fictional creation and something real, then of course it's coincidental and unintentional.
Happy Halloween, by the way! :D
HORROR TOWN
Written by Charles Spencer
The Monster Mash was in full swing over the P.A. system by the time Chris got to the pay window.
He paid for tickets by credit card to get into Horror Town, a haunted attraction in the sticks, this Halloween Night...it was about fourteen minutes before midnight. Chris paid for his own way, along with his girl Janice and their friends Drake, Tim and Deirdre. The last two were romantically joined at the hip, like Chris and Janice...in Tim and Deirdre's case literally joined, it seemed, their arms around each other; they kissed every few minutes deeply as they waited in line. Janice could only shake her head and giggle at the sight of them, they were so into one another. She and Chris were, as well, but they had been together for much longer...time helped them restrain themselves in public. Drake, who was without a girlfriend at that moment, considered Tim and Deirdre with a longing expression. (He'd always had a crush on Deirdre.)
The group arrived at Horror Town early, but they were still almost too late to beat the late-night rush. Chris, Janice and the others beat the main throng of thrill seekers and 'scaredevils' (Tim's pet name for himself and anyone else looking for a good fright), but there were dozens already there even before the pay windows opened. It was the most popular attraction of this holiday in the region, taking up over a hundred square acres of flat undeveloped property, divided into sections representing a town in and of itself. Horror Town, true to its name, was different from any other town in the sense it was populated by any and every form of nightmare creature and unfortunate soul that could be dreamed of by the brother and sister who created the attraction almost ten years before. It had grown in size along with popularity over the years, and got big enough and upgraded enough to qualify for township status.
As they milled forward, Tim said eagerly, "This is gonna be the shit, guys. I was here last year -- !"
"We know, Tim," Janice said coolly. "You've told us enough times."
"But what they got this year's supposed to be bigger and better." To Chris, Tim began to sound like one of Horror Town's radio commercials. "I know they're gonna have things in there that'll fuck you guys up -- !"
"Please chill, man, and tone down the freaking cussing," Chris said, looking at him hard.
Janice chimed, "Thank you!" She wrapped an arm around Chris' waist.
"Think about younger ears, all right?" Chris nodded to the family of four ahead of them...a father, mother, and their son and daughter. The kids looked like they were still in Kindergarten, and they were giggling, most likely because of Tim's overly-enthusiastic testimonial. The father looked behind him to spare Tim a brief but dark warning glance.
Even in the area where customers waited and paid, the employees of Horror Town who took the money and acted as ushers for the crowd were dressed for Halloween. So were many of the customers, but it seemed no expense was spared to help them look good enough (or bad enough, depending on the point of view) to scare the crap out of people by sight alone. Some were simply Goth in appearance, their skin pale with grease paint in stark contrast to the obsidian black of their clothes...others were in the typical neo-horror style made famous by George Romero and some Japanese video game makers; they looked like undead, condemned unfortunates who reflected various degrees of gruesome, blood-stained glory. One of them, a guy who was made up to look like he had a few bites taken from his neck and chest, stalked forward and shouted, "BOO!" at some of the customers, scaring a few silly...but he got an enthusiastic "Arrooo!" in response from a customer wearing a Chewbacca mask.
The usher who took the tickets from Chris, Janice and their friends was pure Goth: she was an ethereal beauty who looked like Wednesday Adams might if she had the chance to get past puberty. In spite of her looks, her good nature shone through as she smiled and said, "I'm Mandy, and thanks for visiting Horror Town! You guys ready to get scared?"
Again, full of enthusiasm, Tim said, "Hell yeah!"
He wasn't exactly the spokesman for the group. Drake gave him a look and grunted, "God, give it a rest."
Chris shrugged and said to Mandy, "We'll see if we get scared of not."
Mandy's smile got brighter considering Chris. "Ohhh, okay! You think you've seen it all, huh?"
Chris nodded and said, "If I haven't, then there's something I missed." That was the truth. Chris, like many Americans, liked to be scared and were constant consumers of the more grue-drenched aspects of pop culture. He didn't consider himself an authority, but Chris had seen a lot. He'd seen so much he sometimes wondered if he got desensitized to the gore and violence, like some political assholes left and right said.
Mandy asked, "What do you think you're gonna see in there? I won't spoil things with an answer, but I will tell you if you're close or not."
Chris grinned. "Okay...a haunted town? I'm thinking Black Falls."
Janice gave Chris a mock expression of disdain and groaned, "Oh, my God!" Black Falls was one of the most popular video game series to come from Japan, and Chris (among many others) played it religiously, so to speak. The games concerned an unassuming town that was in fact a nexus to Hell itself. Janice never understood how her boyfriend could enjoy playing games like that.
Tim said quickly, "Naw, man, it's gonna be bigger and better than that!" Then he gave Mandy a look and asked, "Right?"
Mandy looked at them all, her smile mischievous. "You're thinking 'The Town That Takes Your Soul,' huh? You're wrong...mostly." She added that last word almost hesitantly, but she was honest. "You'll also find some Eli Roth and Wes Craven, and of course Roger Corman among other influences. I prefer Vincent Price, though. You know what they say: there's no such thing as an original idea, only new spins on old stories. But give Horror Town a chance, okay? You might be impressed."
Chris nodded. "If I wasn't willing to give it a chance, I wouldn't be here." He looked at Janice, his eyes soft. "But I can't have a good time anywhere without you, baby."
Tim couldn't help but say, "Tooty fuckin' fruity!" A pop culture joke in response to Chris' pet name for his girl that made everyone laugh. Janice smiled warmly at her boyfriend, and her arm around his waist tightened adoringly.
"Lovebirds, huh?" Mandy's mischievous expression was in high gear as she nodded to another usher, who opened the entrance gate to Horror Town for the group. "Just remember our Golden Rule. Our actors won't touch you, but they will do their best to scare you out of your minds...so don't touch them, for any reason, or you're out on your butts. And no running, remember that...you might be tempted to while screaming your heads off, but don't for safety's sake. Outside of that..." Mandy gestured with a flourish to the open gates and bowed...her voice shifted into one of (almost) genuine menace when she declared, "Have a good scare, you poor fools."
Full of enthusiasm and nervous anticipation...they entered Horror Town. It was nine minutes before midnight.
The first portion of the attraction was Old Horror Town, and it was like a surreal step backward in time. They crossed through an old gold mining camp, which thanks to an ominous voice that spoke over a local P.A. speakers scattered through the area, was the beginning of what would become Horror Town. This place already looked like a refuge for the damned, though, with actors who appeared to be ghouls slinging their pickaxes not into the earth in search of gold, but into gory lumps on the ground. Blood sprayed from them as a result, much to Janice and Deirdre's shock...the guys in the group, though, grinned at the over-the-top nature of the spectacle. Two more ghouls were singing a song in voices slurred by death as they roasted a human leg on a spit over an open fire. One ghoul with a pickaxe over his shoulder stalked toward them and groaned, "You got some treasure? Show me your treasure!" The closer he got, the quicker the pace of his steps became, and he readied his pickaxe. "Show me your treasure, fools! Let me dig your treasure out of you! Let me dig at your INSIDES!" He was only two feet from them as he shouted that last, and Drake took a step back reflexively with round eyes as the girls screamed and hugged their boyfriends. All laughed nervously when they realized that was as close as he'd get to them, and they continued on as the ghoul yelled behind them at another group for whatever treasure they might have.
Chris, Janice and the others realized they were moving forward in history, too, with each step they took. Just beyond the mining camp was a ghost town that was much more in place with what one would imagine of the American Old West. As they walked down its dusty main street, which to their discomfort was stained red in many areas, they saw that to call it a ghost town was wishful thinking, considering the sights they took in.
Chris felt something suddenly...it felt like a wind, but that wasn't quite the right way to describe it. At the same time, Drake was looking at the bright LCD of his watch and said, "Hey guys, it's officially midnight. The Witching Hour." But he said it quietly, as if suddenly distracted.
Janice looked at Chris with sudden worry. "Honey, did you just feel...?" She stopped, unsure...Chris thought she looked exactly the way he felt. They looked at Tim and Deirdre holding each other, and they looked back with equal disquiet.
Something happened...but they had no idea what. Not yet. Not knowing how to act on what they were afraid to accept was something they all felt, they continued down the main street.
This Wild West version of Horror Town was a bleak, deadly sight. The storefronts were bleeding in some places, and undead roamed to and fro. Some were gunslingers, or once were...one unfortunate had no arm above where he holstered his Colt .45. (The makers of Horror Town clearly had a good grip on the concept of irony.) A couple of ladies of the evening stood at the threshold of a cathouse...both seemed to be drenched in blood, and took a lot away from the fact they were wearing only corsets and lingerie. One called out, "Hey, boys! You looking for a good time? This is the place you'll find it, sure enough!"
The other said, "You ladies look classy! Maybe you'd like some meaningful employment?"
Deirdre called back, "Yeah, right! No, thanks!"
The first prostitute invited again: "So how about it, boys? We'll give you entertainment, guaranteed!"
Her fellow added, "We'll entertain you as much as you want, anytime you want! But you gotta stay awhile!"
"We'll make sure you stay awhile, cause you'll never leave!" Her voice had become more hungry than inviting. "We'll make sure you stay forever!" And yet...there was an uncertainty under the actor's tone, a disquiet in her eyes that was echoed in her fellow prostitute. They looked at each other, and they seemed to want to be somewhere else.
Chris, Janice and the others felt the same way. Before, it was genuinely fun...bloody and morbid, but it was Halloween Night. They were here to be scared, to feel more alive as a result. But their enthusiasm and anticipation of what Horror Town had to offer...it was like it was drained from them. And it seemed to be affecting the actors here in turn. Across the street from the cathouse was the Town Jail, where a U.S. Marshall stood in front as tall as Matt Dillon, except he didn't have a face, only a bloody skull's visage...instead of a gun, he held a scythe in both hands. But he was out of his role, too: he was looking around, and his mannerisms expressed nervous confusion. He actually asked out loud to himself, "Did something happen? What just happened?"
Chris, Janice and the others heard him, and knew exactly how he felt. They felt that way since it turned midnight. It was The Witching Hour...
...and something had changed.
They heard a screaming then, coming from far away...from the direction of where they entered Horror Town. But it wasn't just a single scream: many were screaming, and terribly it wouldn't stop...more voices added to the collective sound of what must have been unthinkable agony and terror with each passing moment. Chris, Janice and the others thought of the dozens, the hundreds who had to still be there waiting to pay to get in, and to a soul they were paralyzed with true fear.
They saw figures approach from where they came, from the mining camp.
There were dozens of them, and Chris immediately recognized Mandy among them even from a distance, her black dress flowing frantically with her running figure. The throng of people she was a part of startled the already-frightened ghoul prospectors as they ran past, and some felt the need to run with them, for they were much, much closer to the screaming. Then explosions resounded from the direction of the entrance, thudding sounds that made Chris, Janice and the others nearly jump out of their skins.
One of the prostitutes, the first one who spoke who wore red lingerie, looked across the street and cried out, "Carl!" She ran across then, followed quickly by her fellow lady of the evening who wore black (barely), to the undead Marshall. He'd dropped his scythe, took hold of the hand of the lady in red, and the three of them ran. Away from the unending noise of the screams, further into Horror Town.
They're heading for the exit, Chris thought. All things considered, it seemed to be an excellent idea. But he turned back to the mob of people running to them...and then they ran past, following the undead lawman and the cathouse girls. Mandy had lagged behind by the time she got to the group, but not for lack of trying. Chris stepped in front of her path and stopped her as gently as he could, shouting, "Whoa-WHOA! What's going on -- ?!?"
He realized Mandy's black dress was covered in blood, which made it gleam in the lighting of this portion of Horror Town. It had a plunging neckline, and her skin was stained in blood up to the nape of her neck. Her eyes were horrified and frantic as she cried, "You've got to run!" Mandy turned so quickly to Janice and his friends Chris thought she might give herself whiplash as she continued, louder, "ALL OF YOU, GET THE HELL OUT OF HERE!"
"HOLD IT!" Chris had lost his patience as he gripped Mandy's shoulders hard. "Tell me what the hell is going on first! What -- ?!?"
Then the thing blasted out through the false front of the saloon a few doors back and landed among those running.
It quickly stood erect, over ten feet tall, and began attacking those frightened people it landed amongst. This hideous, malevolent...being that seemed to be a solid, living shadow that was almost ape-like in its form was definitely not part of the scares Horror Town had to offer. Its huge paws that tapered to sharp talons literally tore through every innocent it swiped into. Blood and gore misted in the air from the power of its blows.
"Holy fuck," Tim said neutrally.
Mandy took one look at the thing, and looked back at Chris...her eyes were wide, reflecting the clear and present terror within her. She screamed, "We have to GO! RIGHT NOW!"
Chris wasn't stupid enough to argue. He looked at Janice and took her shaking hand as she looked back at him not comprehending what was happening, not wanting to comprehend. As screams began to issue from the mining camp now for those who were unfortunately much slower, he yelled to the others, "Let's go! C'mon!"
They began to ran then, all of them...except one. Tim quickly figured that out as he ran holding Deirdre's hand and he stopped -- forcing his terrified girlfriend to stop with him -- and Tim turned to see that Drake hadn't moved. He was looking at the thing. The thing stopped its slaughter not far away from him and looked back at Drake in turn...it looked back with bright, incendiary eyes. In spite of Deirdre, Tim ran back to Drake, not daring to look at the being, and grabbed his arm. He screamed, "MOVE, YOU FUCKIN' DUMBSHIT!" Tim pulled Drake with him as his other hand held Deirdre's and they raced after Chris, Janice, Mandy, and many others.
They kept running into the main square of the more modern portion of Horror Town, which looked like the center of any small American town...except it was blasted, ruined and dead in more ways than one from some supernatural apocalypse. Chris saw clear and present echoes of Black Falls here...he also saw influences from other Survival Horror games, and of course, films. He wanted to like this place because it felt so...familiar. But he shrugged such thoughts away violently; he had the greater imperative to survive. He slowed down and shakily yelled, "Everybody stop! HOLD UP!" Janice, Mandy and his friends stopped with clear reluctance as others ran past there were fewer and fewer people running by. Chris didn't want to know what happened to those who couldn't get away, but...he looked at Mandy and said, "Listen, if we're going to have a chance, we've got to fuckin' understand what's going on! What happened back at the pay windows?!"
Mandy was crying, not wanting to stop for anything. "Please, we've got to keep going, we've got to get away -- !"
Chris said roughly, "Just tell me how this shit started, right now!"
Janice gave him a harsh look. "Chris, for Godsakes, look at her -- !"
"Baby, please!" He kept looking at Mandy. "Just keep it simple. Please...tell me what you ran from."
"They..." Mandy's expression broke with renewed horror and grief as she forced herself to think back. "They came out of nowhere not long after this girl in line said something about The Witching Hour..."
Chris' eyes narrowed. "Just after the clock hit midnight."
"I-I think so...they just came from everywhere, from under the ground, from the shadows..." Mandy reflexively placed her hand over her heart; she was trying to will herself to calm down. But new tears fell down her cheeks as she groaned, "They weren't like that...th-that beast in the Wild West town. They were smaller, they were...like rats, but that's not right. They...did things to people when they attacked...y-you don't want to know the things I saw...what they did to...make the screaming...oh God, it was horrible..."
Chris could only stare at the crying girl...and he felt close to crying himself. He shook his head, trying to accept the unreality of it. He managed to say, "What the hell...?"
"Guys."
Slowly, they all turned to Drake. None of them paid much attention to him, to each other, since they started running. The others couldn't help but stare at Drake now...Drake, who had always been more introverted than the others, who was always the square peg in the round world. He had their attention because his eyes were vivid with something close to insanity. But it was worse, because it was understanding...an understanding that issued from him as he spoke: "Guys, you don't know. None of us did. We never had a damn clue."
Tim stared at Drake. "What're you talking about, man?"
He looked back at Tim, and he started smiling. "You've got so much shit between your ears...we all did. We forgot so much. We forgot everything, man. Everything."
Tim shouted back, "What the FUCK are you talking about?!?"
"I looked in that thing's eyes, man! I looked, and I saw what it felt...I saw what it was thinking!" He looked at them all, and he looked at them like they were brain-damaged. "We all forgot so damn much...but most of all we forgot to respect them! We stopped fucking respecting them and where they came from!"
Deirdre voice came out as a moan: "What're you saying!? What did we forget?!? I don't understand!"
"So much shit...between our ears." Drake laughed. "We thought we were it...we thought we were hot shit, the top of the food chain. But there are things over us, below us, beyond us. Them. Everything we look for to scare us these days...one way or the other, it all came from the same place. From the legends and myths, from fucking vampires and metamorphs and demons and zombies and ghouls and all the shit that goes bump in the night! They were all real, man, they were real for thousands of years!" His eyes, insane, KNOWING, widened further, and so did his smile which turned into a grin. "But where do you think those things came from? Huh?! GOD didn't fucking make them, that's for damn sure! They came from Hell, man! Their ancestors or the fucking black magic that made them possible could only come from Hell!
"So what did we do, in a world of fucking logic and reason? Huh? Where we think we're such hot shit? We didn't just forget where they came from, what made them possible...we made them into...into novelties! We took all of that shit and what they came from for granted! We forgot to respect them, just as much as we're supposed to respect love, order, justice and all of that shit! Evil deserves as much respect as anything, right? Well, I looked into that fucker's eyes and I saw how much it hated us! They ALL hate us, the demons and dark powers of Hell we made into...into JOKES!
"THEY'RE HERE TO REMIND US NOT TO PISS THEM OFF!"
Mandy screamed then...not from the words of a young man driven insane by Truth, but by the scores of beings that slithered and glided toward them from where they came. Janice and Deirdre screamed, too...Tim, meanwhile, pissed his pants. Chris barely managed to contain himself when he saw them. They seemed to be part of the shadow, part of the night itself. Chris understood numbly why she called them rats...but not quite. He thought strangely of the Slinky because that's how pliable they appeared to be...they flowed through the world. But they flowed over the ground as they approached, he realized. Minor Daemon, Chris suddenly thought. And he didn't know why.
Chris thought, Am I being reminded? Am I...starting to remember?
Too little, too late, he feared.
Chris screamed to them all, "RUN!" He thought of Edgar Allen Poe, of Bram Stoker, of them and other mortals who had creative power in this world who once held respect for the darkness in their works of horror and darkness. But what was that creative power turned toward now? To novelty. To commodity. He began to realize how much the elder forces of Hell must have hated those of this mortal Earth as he and the others ran to escape death. To escape Evil itself. Again, however, one didn't run. Drake just stood there, smiling at the horde from Hell, and for better or worse because of the fear of his fellow mortals, he was left behind.
Drake's scream followed them as they ran, and that scream lasted for too damn long.
They ran out of the other side and onto a new, wide path...it led to the final attraction of Horror Town. (There was another attraction, the Town Hall itself which was the place's house of horrors, but for understandable reasons they bypassed it.) Then. Tim twisted his ankle on the path that wasn't quite level. No running in Horror Town.
Tim collapsed on his face, and the others stopped. Deirdre fell on her knees next to Tim and urged him to get up, if she loved him get up! Chris felt like he remembered something else...so long ago, long before Jesus Christ was followed by his disciples, the only ones who had the knowledge to defeat the dark forces in this world brought here by the will and power of Hell were those who knew Witchcraft, those who could appeal to the very elements and so much more to serve them. He knew there were witches in the modern day, Wiccans, and yet they had forgotten so much of their own history, their heritage and knowledge as a faith but not so much because of time but because they were hunted and persecuted and executed by the brutal stupidity of those who hated and feared who and what was different, and he knew they would be as helpless as he felt as he saw the Minor Daemon approach like a living flood, and he moved to Deirdre as Tim begged her to go, to leave him behind, but she said she loved him and would stay with him but Chris hated himself as he grabbed her around her slender waist and picked her up and began to drag her away and Janice helped him take hold of her and there was so much sadness in the eyes of the young woman he loved, and Deirdre screamed as Mandy could only stand there screaming, too, screaming they had to run as Tim shouted to Deirdre he loved her so much and it was okay, just RUN!
Then the flood of Minor Daemon reached Tim, and Deirdre couldn't look and turned from the one she loved. She screamed like her very soul was wounded, as Janice and Mandy took her by her arms and urged her to run again. She did so, they all ran, but only Chris looked back to his friend. He wished he didn't as Tim screamed, and would continue to scream as he saw the Daemon flood into him and through him eagerly. Chris realized the fuckers were turning Tim inside-out slowly but violently and his mortal blood was suddenly everywhere as a result. But Tim didn't die immediately, the Daemon wouldn't let the mortal know the blessing of a quick death. He knew in comparison he'd rather let that big bastard he saw in the Wild West version of Horror Town -- djinn, he remembered -- kill him before facing these. And he ran.
They all ran to the last attraction of Horror Town: Base Omega, a simulated military base which according to the attraction's fanfare was built outside of the city, but couldn't escape its curse. Horror Town made this base a part of it, and its soldiers who once served God and Country were driven insane and cannibalistic...the high brass of the base authorized all manner of hideous experiments, and those experiments as the advertising said continued to lurk and stalk through the corridors and on the grounds. They continued to run, ignoring the novelty of it, staying on the set path that would take them through it and to the exit. They ran into the cavernous main hangar drenched inside with fake blood and adorned with idiotic props and through it...they continued further into the HQ where animatronics of undead soldiers and alien-demonic things waited. They rushed past them and between them.
In the HQ's mess hall, they found the boy.
They almost missed him because he had hidden himself under one of the tables. His whimpering cries, however, got their attention...Mandy managed to coax the boy to come out, it was okay. The boy's eyes were wet and haunted...they had seen too much. Chris recognized the boy: he was part of the family of four he and Janice and the others were behind. Chris asked softly, "Are you okay? Where's the rest of your family, pal?" The boy broke fully into tears again, and Chris realized he shouldn't have asked. He knelt next to the boy as Mandy placed her hands gently on the child's shoulders. Janice could only look at the boy awkwardly, in tears herself.
Deirdre still cried, as well...but she had calmed considerably. She looked at nothing as she leaned on a corrugated steel wall of the HQ stained in fake blood. Chris looked at her, and asked himself if they were out of danger.
He quickly got his answer.
Something slammed HARD into the steel Deirdre leaned on behind her...and through her: a piercing shaft of darkness suddenly lanced through her just above her bosom. The others screamed and Janice cried out her name as she looked back at them, as she felt herself die, and it didn't hurt that much, she thought. Deirdre had time to say simply, "Oh, dear."
Then something pulled, and she was wrenched through the wall as it was rent outward. Chris picked up the boy and stood, and he knew he was screaming along with the young women as they watched the djinn, and it stared at them with eyes that had seen Hell itself. It then looked down and considered the dead mortal body impaled by its substance that it fired from its paw like a harpoon. It looked at her beautiful mortal face, and was offended by it...and its other paw reached up, closed about her head and face, and crushed her skull like it was a ripe grape.
The others ran in grief and terror as their fellow mortal was ripped to pieces.
They continued to run...Chris continued to remember little things that the rest of his mortal race had forgotten. He wondered if Janice and Mandy were remembering, as well. He wondered what the boy thought, if he had been reminded.
He wondered, above all, why they even bothered running.
Then they saw light through an open gateway...it was the same in appearance as the entrance. They ran to it.
Finally, collectively, they stopped...and Chris looked back as he stood at the edge of a parking lot, he looked back at the dark maw of the exit to Horror Town, but he didn't feel relief. Far from it. He felt shellshocked and hollow from everything he'd seen. But he couldn't think of himself...he felt Janice cling to his arm, her cheeks wet with tears that mixed with blood from someone. From Deirdre just now? From someone else? The boy he cradled was trying to bury his face in his chest, trying to escape...everything. Chris wondered absently where this kid could be taken, if he had any relatives besides the family he lost. Mandy looked back into the darkness with a blank stare...her lips parted hesitantly, and she wanted to hope. She asked softly to no one in particular, "Did...did we get away? Is it over?"
Chris wondered that during this Witching Hour...if this was simply the world changing because of those they offended and made hateful. Or maybe this was an end, that those that reigned in Hell wouldn't be satisfied until all of his fellow mortals were dead. He wondered...and then he noticed something. They all did.
They heard screams in the darkness...screams that wouldn't stop...they were distant, but they seemed to be coming from everywhere.
Chris wondered how much time they had....
This story is the copyright (2007) of Charles Spencer, and is the sole property of the author. No part of this story may be reproduced or transmitted, by electronic means or otherwise, without the express permission of the author.
Happy Halloween, by the way! :D
HORROR TOWN
Written by Charles Spencer
The Monster Mash was in full swing over the P.A. system by the time Chris got to the pay window.
He paid for tickets by credit card to get into Horror Town, a haunted attraction in the sticks, this Halloween Night...it was about fourteen minutes before midnight. Chris paid for his own way, along with his girl Janice and their friends Drake, Tim and Deirdre. The last two were romantically joined at the hip, like Chris and Janice...in Tim and Deirdre's case literally joined, it seemed, their arms around each other; they kissed every few minutes deeply as they waited in line. Janice could only shake her head and giggle at the sight of them, they were so into one another. She and Chris were, as well, but they had been together for much longer...time helped them restrain themselves in public. Drake, who was without a girlfriend at that moment, considered Tim and Deirdre with a longing expression. (He'd always had a crush on Deirdre.)
The group arrived at Horror Town early, but they were still almost too late to beat the late-night rush. Chris, Janice and the others beat the main throng of thrill seekers and 'scaredevils' (Tim's pet name for himself and anyone else looking for a good fright), but there were dozens already there even before the pay windows opened. It was the most popular attraction of this holiday in the region, taking up over a hundred square acres of flat undeveloped property, divided into sections representing a town in and of itself. Horror Town, true to its name, was different from any other town in the sense it was populated by any and every form of nightmare creature and unfortunate soul that could be dreamed of by the brother and sister who created the attraction almost ten years before. It had grown in size along with popularity over the years, and got big enough and upgraded enough to qualify for township status.
As they milled forward, Tim said eagerly, "This is gonna be the shit, guys. I was here last year -- !"
"We know, Tim," Janice said coolly. "You've told us enough times."
"But what they got this year's supposed to be bigger and better." To Chris, Tim began to sound like one of Horror Town's radio commercials. "I know they're gonna have things in there that'll fuck you guys up -- !"
"Please chill, man, and tone down the freaking cussing," Chris said, looking at him hard.
Janice chimed, "Thank you!" She wrapped an arm around Chris' waist.
"Think about younger ears, all right?" Chris nodded to the family of four ahead of them...a father, mother, and their son and daughter. The kids looked like they were still in Kindergarten, and they were giggling, most likely because of Tim's overly-enthusiastic testimonial. The father looked behind him to spare Tim a brief but dark warning glance.
Even in the area where customers waited and paid, the employees of Horror Town who took the money and acted as ushers for the crowd were dressed for Halloween. So were many of the customers, but it seemed no expense was spared to help them look good enough (or bad enough, depending on the point of view) to scare the crap out of people by sight alone. Some were simply Goth in appearance, their skin pale with grease paint in stark contrast to the obsidian black of their clothes...others were in the typical neo-horror style made famous by George Romero and some Japanese video game makers; they looked like undead, condemned unfortunates who reflected various degrees of gruesome, blood-stained glory. One of them, a guy who was made up to look like he had a few bites taken from his neck and chest, stalked forward and shouted, "BOO!" at some of the customers, scaring a few silly...but he got an enthusiastic "Arrooo!" in response from a customer wearing a Chewbacca mask.
The usher who took the tickets from Chris, Janice and their friends was pure Goth: she was an ethereal beauty who looked like Wednesday Adams might if she had the chance to get past puberty. In spite of her looks, her good nature shone through as she smiled and said, "I'm Mandy, and thanks for visiting Horror Town! You guys ready to get scared?"
Again, full of enthusiasm, Tim said, "Hell yeah!"
He wasn't exactly the spokesman for the group. Drake gave him a look and grunted, "God, give it a rest."
Chris shrugged and said to Mandy, "We'll see if we get scared of not."
Mandy's smile got brighter considering Chris. "Ohhh, okay! You think you've seen it all, huh?"
Chris nodded and said, "If I haven't, then there's something I missed." That was the truth. Chris, like many Americans, liked to be scared and were constant consumers of the more grue-drenched aspects of pop culture. He didn't consider himself an authority, but Chris had seen a lot. He'd seen so much he sometimes wondered if he got desensitized to the gore and violence, like some political assholes left and right said.
Mandy asked, "What do you think you're gonna see in there? I won't spoil things with an answer, but I will tell you if you're close or not."
Chris grinned. "Okay...a haunted town? I'm thinking Black Falls."
Janice gave Chris a mock expression of disdain and groaned, "Oh, my God!" Black Falls was one of the most popular video game series to come from Japan, and Chris (among many others) played it religiously, so to speak. The games concerned an unassuming town that was in fact a nexus to Hell itself. Janice never understood how her boyfriend could enjoy playing games like that.
Tim said quickly, "Naw, man, it's gonna be bigger and better than that!" Then he gave Mandy a look and asked, "Right?"
Mandy looked at them all, her smile mischievous. "You're thinking 'The Town That Takes Your Soul,' huh? You're wrong...mostly." She added that last word almost hesitantly, but she was honest. "You'll also find some Eli Roth and Wes Craven, and of course Roger Corman among other influences. I prefer Vincent Price, though. You know what they say: there's no such thing as an original idea, only new spins on old stories. But give Horror Town a chance, okay? You might be impressed."
Chris nodded. "If I wasn't willing to give it a chance, I wouldn't be here." He looked at Janice, his eyes soft. "But I can't have a good time anywhere without you, baby."
Tim couldn't help but say, "Tooty fuckin' fruity!" A pop culture joke in response to Chris' pet name for his girl that made everyone laugh. Janice smiled warmly at her boyfriend, and her arm around his waist tightened adoringly.
"Lovebirds, huh?" Mandy's mischievous expression was in high gear as she nodded to another usher, who opened the entrance gate to Horror Town for the group. "Just remember our Golden Rule. Our actors won't touch you, but they will do their best to scare you out of your minds...so don't touch them, for any reason, or you're out on your butts. And no running, remember that...you might be tempted to while screaming your heads off, but don't for safety's sake. Outside of that..." Mandy gestured with a flourish to the open gates and bowed...her voice shifted into one of (almost) genuine menace when she declared, "Have a good scare, you poor fools."
Full of enthusiasm and nervous anticipation...they entered Horror Town. It was nine minutes before midnight.
The first portion of the attraction was Old Horror Town, and it was like a surreal step backward in time. They crossed through an old gold mining camp, which thanks to an ominous voice that spoke over a local P.A. speakers scattered through the area, was the beginning of what would become Horror Town. This place already looked like a refuge for the damned, though, with actors who appeared to be ghouls slinging their pickaxes not into the earth in search of gold, but into gory lumps on the ground. Blood sprayed from them as a result, much to Janice and Deirdre's shock...the guys in the group, though, grinned at the over-the-top nature of the spectacle. Two more ghouls were singing a song in voices slurred by death as they roasted a human leg on a spit over an open fire. One ghoul with a pickaxe over his shoulder stalked toward them and groaned, "You got some treasure? Show me your treasure!" The closer he got, the quicker the pace of his steps became, and he readied his pickaxe. "Show me your treasure, fools! Let me dig your treasure out of you! Let me dig at your INSIDES!" He was only two feet from them as he shouted that last, and Drake took a step back reflexively with round eyes as the girls screamed and hugged their boyfriends. All laughed nervously when they realized that was as close as he'd get to them, and they continued on as the ghoul yelled behind them at another group for whatever treasure they might have.
Chris, Janice and the others realized they were moving forward in history, too, with each step they took. Just beyond the mining camp was a ghost town that was much more in place with what one would imagine of the American Old West. As they walked down its dusty main street, which to their discomfort was stained red in many areas, they saw that to call it a ghost town was wishful thinking, considering the sights they took in.
Chris felt something suddenly...it felt like a wind, but that wasn't quite the right way to describe it. At the same time, Drake was looking at the bright LCD of his watch and said, "Hey guys, it's officially midnight. The Witching Hour." But he said it quietly, as if suddenly distracted.
Janice looked at Chris with sudden worry. "Honey, did you just feel...?" She stopped, unsure...Chris thought she looked exactly the way he felt. They looked at Tim and Deirdre holding each other, and they looked back with equal disquiet.
Something happened...but they had no idea what. Not yet. Not knowing how to act on what they were afraid to accept was something they all felt, they continued down the main street.
This Wild West version of Horror Town was a bleak, deadly sight. The storefronts were bleeding in some places, and undead roamed to and fro. Some were gunslingers, or once were...one unfortunate had no arm above where he holstered his Colt .45. (The makers of Horror Town clearly had a good grip on the concept of irony.) A couple of ladies of the evening stood at the threshold of a cathouse...both seemed to be drenched in blood, and took a lot away from the fact they were wearing only corsets and lingerie. One called out, "Hey, boys! You looking for a good time? This is the place you'll find it, sure enough!"
The other said, "You ladies look classy! Maybe you'd like some meaningful employment?"
Deirdre called back, "Yeah, right! No, thanks!"
The first prostitute invited again: "So how about it, boys? We'll give you entertainment, guaranteed!"
Her fellow added, "We'll entertain you as much as you want, anytime you want! But you gotta stay awhile!"
"We'll make sure you stay awhile, cause you'll never leave!" Her voice had become more hungry than inviting. "We'll make sure you stay forever!" And yet...there was an uncertainty under the actor's tone, a disquiet in her eyes that was echoed in her fellow prostitute. They looked at each other, and they seemed to want to be somewhere else.
Chris, Janice and the others felt the same way. Before, it was genuinely fun...bloody and morbid, but it was Halloween Night. They were here to be scared, to feel more alive as a result. But their enthusiasm and anticipation of what Horror Town had to offer...it was like it was drained from them. And it seemed to be affecting the actors here in turn. Across the street from the cathouse was the Town Jail, where a U.S. Marshall stood in front as tall as Matt Dillon, except he didn't have a face, only a bloody skull's visage...instead of a gun, he held a scythe in both hands. But he was out of his role, too: he was looking around, and his mannerisms expressed nervous confusion. He actually asked out loud to himself, "Did something happen? What just happened?"
Chris, Janice and the others heard him, and knew exactly how he felt. They felt that way since it turned midnight. It was The Witching Hour...
...and something had changed.
They heard a screaming then, coming from far away...from the direction of where they entered Horror Town. But it wasn't just a single scream: many were screaming, and terribly it wouldn't stop...more voices added to the collective sound of what must have been unthinkable agony and terror with each passing moment. Chris, Janice and the others thought of the dozens, the hundreds who had to still be there waiting to pay to get in, and to a soul they were paralyzed with true fear.
They saw figures approach from where they came, from the mining camp.
There were dozens of them, and Chris immediately recognized Mandy among them even from a distance, her black dress flowing frantically with her running figure. The throng of people she was a part of startled the already-frightened ghoul prospectors as they ran past, and some felt the need to run with them, for they were much, much closer to the screaming. Then explosions resounded from the direction of the entrance, thudding sounds that made Chris, Janice and the others nearly jump out of their skins.
One of the prostitutes, the first one who spoke who wore red lingerie, looked across the street and cried out, "Carl!" She ran across then, followed quickly by her fellow lady of the evening who wore black (barely), to the undead Marshall. He'd dropped his scythe, took hold of the hand of the lady in red, and the three of them ran. Away from the unending noise of the screams, further into Horror Town.
They're heading for the exit, Chris thought. All things considered, it seemed to be an excellent idea. But he turned back to the mob of people running to them...and then they ran past, following the undead lawman and the cathouse girls. Mandy had lagged behind by the time she got to the group, but not for lack of trying. Chris stepped in front of her path and stopped her as gently as he could, shouting, "Whoa-WHOA! What's going on -- ?!?"
He realized Mandy's black dress was covered in blood, which made it gleam in the lighting of this portion of Horror Town. It had a plunging neckline, and her skin was stained in blood up to the nape of her neck. Her eyes were horrified and frantic as she cried, "You've got to run!" Mandy turned so quickly to Janice and his friends Chris thought she might give herself whiplash as she continued, louder, "ALL OF YOU, GET THE HELL OUT OF HERE!"
"HOLD IT!" Chris had lost his patience as he gripped Mandy's shoulders hard. "Tell me what the hell is going on first! What -- ?!?"
Then the thing blasted out through the false front of the saloon a few doors back and landed among those running.
It quickly stood erect, over ten feet tall, and began attacking those frightened people it landed amongst. This hideous, malevolent...being that seemed to be a solid, living shadow that was almost ape-like in its form was definitely not part of the scares Horror Town had to offer. Its huge paws that tapered to sharp talons literally tore through every innocent it swiped into. Blood and gore misted in the air from the power of its blows.
"Holy fuck," Tim said neutrally.
Mandy took one look at the thing, and looked back at Chris...her eyes were wide, reflecting the clear and present terror within her. She screamed, "We have to GO! RIGHT NOW!"
Chris wasn't stupid enough to argue. He looked at Janice and took her shaking hand as she looked back at him not comprehending what was happening, not wanting to comprehend. As screams began to issue from the mining camp now for those who were unfortunately much slower, he yelled to the others, "Let's go! C'mon!"
They began to ran then, all of them...except one. Tim quickly figured that out as he ran holding Deirdre's hand and he stopped -- forcing his terrified girlfriend to stop with him -- and Tim turned to see that Drake hadn't moved. He was looking at the thing. The thing stopped its slaughter not far away from him and looked back at Drake in turn...it looked back with bright, incendiary eyes. In spite of Deirdre, Tim ran back to Drake, not daring to look at the being, and grabbed his arm. He screamed, "MOVE, YOU FUCKIN' DUMBSHIT!" Tim pulled Drake with him as his other hand held Deirdre's and they raced after Chris, Janice, Mandy, and many others.
They kept running into the main square of the more modern portion of Horror Town, which looked like the center of any small American town...except it was blasted, ruined and dead in more ways than one from some supernatural apocalypse. Chris saw clear and present echoes of Black Falls here...he also saw influences from other Survival Horror games, and of course, films. He wanted to like this place because it felt so...familiar. But he shrugged such thoughts away violently; he had the greater imperative to survive. He slowed down and shakily yelled, "Everybody stop! HOLD UP!" Janice, Mandy and his friends stopped with clear reluctance as others ran past there were fewer and fewer people running by. Chris didn't want to know what happened to those who couldn't get away, but...he looked at Mandy and said, "Listen, if we're going to have a chance, we've got to fuckin' understand what's going on! What happened back at the pay windows?!"
Mandy was crying, not wanting to stop for anything. "Please, we've got to keep going, we've got to get away -- !"
Chris said roughly, "Just tell me how this shit started, right now!"
Janice gave him a harsh look. "Chris, for Godsakes, look at her -- !"
"Baby, please!" He kept looking at Mandy. "Just keep it simple. Please...tell me what you ran from."
"They..." Mandy's expression broke with renewed horror and grief as she forced herself to think back. "They came out of nowhere not long after this girl in line said something about The Witching Hour..."
Chris' eyes narrowed. "Just after the clock hit midnight."
"I-I think so...they just came from everywhere, from under the ground, from the shadows..." Mandy reflexively placed her hand over her heart; she was trying to will herself to calm down. But new tears fell down her cheeks as she groaned, "They weren't like that...th-that beast in the Wild West town. They were smaller, they were...like rats, but that's not right. They...did things to people when they attacked...y-you don't want to know the things I saw...what they did to...make the screaming...oh God, it was horrible..."
Chris could only stare at the crying girl...and he felt close to crying himself. He shook his head, trying to accept the unreality of it. He managed to say, "What the hell...?"
"Guys."
Slowly, they all turned to Drake. None of them paid much attention to him, to each other, since they started running. The others couldn't help but stare at Drake now...Drake, who had always been more introverted than the others, who was always the square peg in the round world. He had their attention because his eyes were vivid with something close to insanity. But it was worse, because it was understanding...an understanding that issued from him as he spoke: "Guys, you don't know. None of us did. We never had a damn clue."
Tim stared at Drake. "What're you talking about, man?"
He looked back at Tim, and he started smiling. "You've got so much shit between your ears...we all did. We forgot so much. We forgot everything, man. Everything."
Tim shouted back, "What the FUCK are you talking about?!?"
"I looked in that thing's eyes, man! I looked, and I saw what it felt...I saw what it was thinking!" He looked at them all, and he looked at them like they were brain-damaged. "We all forgot so damn much...but most of all we forgot to respect them! We stopped fucking respecting them and where they came from!"
Deirdre voice came out as a moan: "What're you saying!? What did we forget?!? I don't understand!"
"So much shit...between our ears." Drake laughed. "We thought we were it...we thought we were hot shit, the top of the food chain. But there are things over us, below us, beyond us. Them. Everything we look for to scare us these days...one way or the other, it all came from the same place. From the legends and myths, from fucking vampires and metamorphs and demons and zombies and ghouls and all the shit that goes bump in the night! They were all real, man, they were real for thousands of years!" His eyes, insane, KNOWING, widened further, and so did his smile which turned into a grin. "But where do you think those things came from? Huh?! GOD didn't fucking make them, that's for damn sure! They came from Hell, man! Their ancestors or the fucking black magic that made them possible could only come from Hell!
"So what did we do, in a world of fucking logic and reason? Huh? Where we think we're such hot shit? We didn't just forget where they came from, what made them possible...we made them into...into novelties! We took all of that shit and what they came from for granted! We forgot to respect them, just as much as we're supposed to respect love, order, justice and all of that shit! Evil deserves as much respect as anything, right? Well, I looked into that fucker's eyes and I saw how much it hated us! They ALL hate us, the demons and dark powers of Hell we made into...into JOKES!
"THEY'RE HERE TO REMIND US NOT TO PISS THEM OFF!"
Mandy screamed then...not from the words of a young man driven insane by Truth, but by the scores of beings that slithered and glided toward them from where they came. Janice and Deirdre screamed, too...Tim, meanwhile, pissed his pants. Chris barely managed to contain himself when he saw them. They seemed to be part of the shadow, part of the night itself. Chris understood numbly why she called them rats...but not quite. He thought strangely of the Slinky because that's how pliable they appeared to be...they flowed through the world. But they flowed over the ground as they approached, he realized. Minor Daemon, Chris suddenly thought. And he didn't know why.
Chris thought, Am I being reminded? Am I...starting to remember?
Too little, too late, he feared.
Chris screamed to them all, "RUN!" He thought of Edgar Allen Poe, of Bram Stoker, of them and other mortals who had creative power in this world who once held respect for the darkness in their works of horror and darkness. But what was that creative power turned toward now? To novelty. To commodity. He began to realize how much the elder forces of Hell must have hated those of this mortal Earth as he and the others ran to escape death. To escape Evil itself. Again, however, one didn't run. Drake just stood there, smiling at the horde from Hell, and for better or worse because of the fear of his fellow mortals, he was left behind.
Drake's scream followed them as they ran, and that scream lasted for too damn long.
They ran out of the other side and onto a new, wide path...it led to the final attraction of Horror Town. (There was another attraction, the Town Hall itself which was the place's house of horrors, but for understandable reasons they bypassed it.) Then. Tim twisted his ankle on the path that wasn't quite level. No running in Horror Town.
Tim collapsed on his face, and the others stopped. Deirdre fell on her knees next to Tim and urged him to get up, if she loved him get up! Chris felt like he remembered something else...so long ago, long before Jesus Christ was followed by his disciples, the only ones who had the knowledge to defeat the dark forces in this world brought here by the will and power of Hell were those who knew Witchcraft, those who could appeal to the very elements and so much more to serve them. He knew there were witches in the modern day, Wiccans, and yet they had forgotten so much of their own history, their heritage and knowledge as a faith but not so much because of time but because they were hunted and persecuted and executed by the brutal stupidity of those who hated and feared who and what was different, and he knew they would be as helpless as he felt as he saw the Minor Daemon approach like a living flood, and he moved to Deirdre as Tim begged her to go, to leave him behind, but she said she loved him and would stay with him but Chris hated himself as he grabbed her around her slender waist and picked her up and began to drag her away and Janice helped him take hold of her and there was so much sadness in the eyes of the young woman he loved, and Deirdre screamed as Mandy could only stand there screaming, too, screaming they had to run as Tim shouted to Deirdre he loved her so much and it was okay, just RUN!
Then the flood of Minor Daemon reached Tim, and Deirdre couldn't look and turned from the one she loved. She screamed like her very soul was wounded, as Janice and Mandy took her by her arms and urged her to run again. She did so, they all ran, but only Chris looked back to his friend. He wished he didn't as Tim screamed, and would continue to scream as he saw the Daemon flood into him and through him eagerly. Chris realized the fuckers were turning Tim inside-out slowly but violently and his mortal blood was suddenly everywhere as a result. But Tim didn't die immediately, the Daemon wouldn't let the mortal know the blessing of a quick death. He knew in comparison he'd rather let that big bastard he saw in the Wild West version of Horror Town -- djinn, he remembered -- kill him before facing these. And he ran.
They all ran to the last attraction of Horror Town: Base Omega, a simulated military base which according to the attraction's fanfare was built outside of the city, but couldn't escape its curse. Horror Town made this base a part of it, and its soldiers who once served God and Country were driven insane and cannibalistic...the high brass of the base authorized all manner of hideous experiments, and those experiments as the advertising said continued to lurk and stalk through the corridors and on the grounds. They continued to run, ignoring the novelty of it, staying on the set path that would take them through it and to the exit. They ran into the cavernous main hangar drenched inside with fake blood and adorned with idiotic props and through it...they continued further into the HQ where animatronics of undead soldiers and alien-demonic things waited. They rushed past them and between them.
In the HQ's mess hall, they found the boy.
They almost missed him because he had hidden himself under one of the tables. His whimpering cries, however, got their attention...Mandy managed to coax the boy to come out, it was okay. The boy's eyes were wet and haunted...they had seen too much. Chris recognized the boy: he was part of the family of four he and Janice and the others were behind. Chris asked softly, "Are you okay? Where's the rest of your family, pal?" The boy broke fully into tears again, and Chris realized he shouldn't have asked. He knelt next to the boy as Mandy placed her hands gently on the child's shoulders. Janice could only look at the boy awkwardly, in tears herself.
Deirdre still cried, as well...but she had calmed considerably. She looked at nothing as she leaned on a corrugated steel wall of the HQ stained in fake blood. Chris looked at her, and asked himself if they were out of danger.
He quickly got his answer.
Something slammed HARD into the steel Deirdre leaned on behind her...and through her: a piercing shaft of darkness suddenly lanced through her just above her bosom. The others screamed and Janice cried out her name as she looked back at them, as she felt herself die, and it didn't hurt that much, she thought. Deirdre had time to say simply, "Oh, dear."
Then something pulled, and she was wrenched through the wall as it was rent outward. Chris picked up the boy and stood, and he knew he was screaming along with the young women as they watched the djinn, and it stared at them with eyes that had seen Hell itself. It then looked down and considered the dead mortal body impaled by its substance that it fired from its paw like a harpoon. It looked at her beautiful mortal face, and was offended by it...and its other paw reached up, closed about her head and face, and crushed her skull like it was a ripe grape.
The others ran in grief and terror as their fellow mortal was ripped to pieces.
They continued to run...Chris continued to remember little things that the rest of his mortal race had forgotten. He wondered if Janice and Mandy were remembering, as well. He wondered what the boy thought, if he had been reminded.
He wondered, above all, why they even bothered running.
Then they saw light through an open gateway...it was the same in appearance as the entrance. They ran to it.
Finally, collectively, they stopped...and Chris looked back as he stood at the edge of a parking lot, he looked back at the dark maw of the exit to Horror Town, but he didn't feel relief. Far from it. He felt shellshocked and hollow from everything he'd seen. But he couldn't think of himself...he felt Janice cling to his arm, her cheeks wet with tears that mixed with blood from someone. From Deirdre just now? From someone else? The boy he cradled was trying to bury his face in his chest, trying to escape...everything. Chris wondered absently where this kid could be taken, if he had any relatives besides the family he lost. Mandy looked back into the darkness with a blank stare...her lips parted hesitantly, and she wanted to hope. She asked softly to no one in particular, "Did...did we get away? Is it over?"
Chris wondered that during this Witching Hour...if this was simply the world changing because of those they offended and made hateful. Or maybe this was an end, that those that reigned in Hell wouldn't be satisfied until all of his fellow mortals were dead. He wondered...and then he noticed something. They all did.
They heard screams in the darkness...screams that wouldn't stop...they were distant, but they seemed to be coming from everywhere.
Chris wondered how much time they had....
This story is the copyright (2007) of Charles Spencer, and is the sole property of the author. No part of this story may be reproduced or transmitted, by electronic means or otherwise, without the express permission of the author.
Wednesday, October 21, 2009
Nothing 'big' about 40...
Among other things to grace me in this thing called life, today's my birthday...my fortieth.
To say the least, I have mixed emotions about it.
The primary reason for my mixed emotions is a reason anyone who hits forty can relate to. I'm forced to say to myself, "My God, I'm in the middle of my damned life!" That alone could be good or bad. Good if I honestly got a lot accomplished, if I'd met the goals I set for myself before this time. But it's bad in my case because I haven't met most of my self-assigned goals. I know a lot of folks would look at themselves in this stage of their lives and say the same thing. I've seen it, I've read about it here and there, fiction and nonfiction, the unmistakable aura of not feeling fulfilled.
Now I'm feeling it.
At this stage of my life, I'm not where I want to be. Because of my own failings? Yes and no, because in a crazy world like this, things can happen...my path can criss-cross with the paths of others who might decide how easy or hard things will be for me. You know what I mean. I must say without a doubt, I feel like I'm ten years behind on the goals I set for myself.
Am I being too self-indulgent in being critical of my life, what I have and more importantly what I desire to gain? Am I a failure at this 'halfway point' not living the life I truly want to live? Is my own personal cause, the life of Charles Spencer, hopeless?
Not wanting to be a failure, wanting the things I want so much before I reach the end of my life, I can only answer those questions with the following:
"HELL, no!"
Yeah, I'm not just another year older, I'm damned forty years old. For me, it's not exactly a cause for celebration...or maybe it is if I don't want to be defeatist. And maybe I haven't gotten to where I want to be, I haven't accomplished what I want dearly to accomplish, but I've still got at least another forty good years in me. (If I'm lucky!)
Life doesn't end at forty, and I've still got a lot to do. :)
To say the least, I have mixed emotions about it.
The primary reason for my mixed emotions is a reason anyone who hits forty can relate to. I'm forced to say to myself, "My God, I'm in the middle of my damned life!" That alone could be good or bad. Good if I honestly got a lot accomplished, if I'd met the goals I set for myself before this time. But it's bad in my case because I haven't met most of my self-assigned goals. I know a lot of folks would look at themselves in this stage of their lives and say the same thing. I've seen it, I've read about it here and there, fiction and nonfiction, the unmistakable aura of not feeling fulfilled.
Now I'm feeling it.
At this stage of my life, I'm not where I want to be. Because of my own failings? Yes and no, because in a crazy world like this, things can happen...my path can criss-cross with the paths of others who might decide how easy or hard things will be for me. You know what I mean. I must say without a doubt, I feel like I'm ten years behind on the goals I set for myself.
Am I being too self-indulgent in being critical of my life, what I have and more importantly what I desire to gain? Am I a failure at this 'halfway point' not living the life I truly want to live? Is my own personal cause, the life of Charles Spencer, hopeless?
Not wanting to be a failure, wanting the things I want so much before I reach the end of my life, I can only answer those questions with the following:
"HELL, no!"
Yeah, I'm not just another year older, I'm damned forty years old. For me, it's not exactly a cause for celebration...or maybe it is if I don't want to be defeatist. And maybe I haven't gotten to where I want to be, I haven't accomplished what I want dearly to accomplish, but I've still got at least another forty good years in me. (If I'm lucky!)
Life doesn't end at forty, and I've still got a lot to do. :)
Saturday, October 10, 2009
Random Thoughts 2.0
This time it was because of someone else I was delayed in making a new entry here...some damn hacker planted a virus out there just waiting to hit someone's computer the moment they tripped on the wrong website. Doing some searching...I tripped. My computer got turned into a doorstop, and Best Buy had to get the damn virus out. I'm now saddled with a computer whose hard drive got turned into a clean slate; most everything that was on it since the first day it was bought is gone.
I have one word to say to all hackers and virus makers out there who get a giggle at wrecking other people's computers:
DIE!
Thank you.
Anyhow! I'm back, with some more thoughts that hit me recently.
1) President Barack Obama won the Nobel Peace Prize. Uh...what world-improving thing did he do in the little time he's been on the global stage? I've been watching the news, and I never heard of him doing anything really amazing enough for a Nobel Prize. Anyone? A little help?
2) The Aussie rock band AC/DC kicks ass. It's a fact, but I'm reminded of that every time I hear one of their songs. Anyone who says they DON'T kick ass never heard their music.
3) Michael Moore is an idiot. He says, "If nobody pays any attention to me with my new movie, I'm not making any more documentaries!" Like nobody ever paid attention to him before with his hot-air projects. Like the news doesn't make some kind of deal out of him every time one of his films come out. It's not the fact he wants attention, he just wants more of it, and that makes him a plain, simple whiner.
4) Come to think of it, that describes politically-minded morons in a nutshell...they think they and their causes are important, and turn into bitchy little whiners when they're not.
5) We lost Patrick Swayze. Damn. At least he got to do films he wanted to do, unlike most stars who make a given film in order to keep themselves popular and therefore highly paid. A lot of them were also films folks wanted to see. His star should have risen rightfully after "Dirty Dancing", which I can't recommend because it's WAY too syrupy and illogical, yet it was still a hit...but that never happened. "Roadhouse" may be on the illogical side too, but I recommend it because it was a movie built for the audience to have fun watching! Rest In Peace, Patrick.
6) It's been too long of a day to type much right now. That, and I still want to put a hit out on hackers too much. Be careful out there, everyone, because you can get hit when you least expect it, too.
I have one word to say to all hackers and virus makers out there who get a giggle at wrecking other people's computers:
DIE!
Thank you.
Anyhow! I'm back, with some more thoughts that hit me recently.
1) President Barack Obama won the Nobel Peace Prize. Uh...what world-improving thing did he do in the little time he's been on the global stage? I've been watching the news, and I never heard of him doing anything really amazing enough for a Nobel Prize. Anyone? A little help?
2) The Aussie rock band AC/DC kicks ass. It's a fact, but I'm reminded of that every time I hear one of their songs. Anyone who says they DON'T kick ass never heard their music.
3) Michael Moore is an idiot. He says, "If nobody pays any attention to me with my new movie, I'm not making any more documentaries!" Like nobody ever paid attention to him before with his hot-air projects. Like the news doesn't make some kind of deal out of him every time one of his films come out. It's not the fact he wants attention, he just wants more of it, and that makes him a plain, simple whiner.
4) Come to think of it, that describes politically-minded morons in a nutshell...they think they and their causes are important, and turn into bitchy little whiners when they're not.
5) We lost Patrick Swayze. Damn. At least he got to do films he wanted to do, unlike most stars who make a given film in order to keep themselves popular and therefore highly paid. A lot of them were also films folks wanted to see. His star should have risen rightfully after "Dirty Dancing", which I can't recommend because it's WAY too syrupy and illogical, yet it was still a hit...but that never happened. "Roadhouse" may be on the illogical side too, but I recommend it because it was a movie built for the audience to have fun watching! Rest In Peace, Patrick.
6) It's been too long of a day to type much right now. That, and I still want to put a hit out on hackers too much. Be careful out there, everyone, because you can get hit when you least expect it, too.
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